This series begins with my own photographs of landscapes and examines how automated recognition transforms them into new images. By reworking the masks generated during the recognition process through layering, softening, and recomposition, I create lands
Borrowing Light Through a Chiseled Wall looks at how myopia prevention turns the eye into something to be measured, corrected and managed, tracing these ideas across Chinese eye exercises and contemporary visual training.
Such an Effortless Choice examines how nature is continuously translated through systems of photography, display, and management. Using direct photography, the diptychs trace how natural forms are framed, replicated, and re-enter daily life as images.
A forensic fiction where the left hand becomes evidence. Staged archives expose how photography and captions fabricate threat, turning ordinary gestures into criminal prophecy.
This project focuses on two aspects, repression and repressed voyeurism, the selected contents and the photographed content are symbols that have been the symbols of other people's traumatic memories, the symbols of repressed memories.