One of the best innovations offered by this ever more connected world we live in is to connect with colleagues, share experiences and collaborate together.
This is the main goal of our education program: allow you to work with internationally recognised photography experts. In this live private session, you can get your projects reviewed, prepare a submission for an open call, consider what is the best way to publish your work or simply get feedback and move forward. Forget about theoretical pre-recorded classes. Every session is a uniquely different experience where you can ask specific questions, get practical advice and expand your network.
How to get started? Simply select an expert according to their background and field of expertise, book a date and provide a link to your portfolio with a clear question or goal to start with. A 77% of our alumni say the experience was positive beyond their expectations. Take advantage of working remotely, when you need it, and enjoy this innovative way of collaboration.
When I enrolled with the PHmuseum mentorship programme, I had expected a session that would provoke ideas to move my work forward. The feedback I received was provided on a specific body of work, discussing each piece in detail. My experience surpassed my expectations and helped me to develop my work further. Suzan Pektas, Turkey
Photo Director, Educator And Visual Producer
Amber Terranova is an experienced New York-based photo director, educator and visual producer. She is currently a BFA faculty member at The School of Visual Arts and consulting with Magnum Photos Education. Amber has extensive marketing, photo directing, commissioning and consultancy experience for multiple major brands and publications around the world. In 2013 Amber was the interim Director at the Bilder Nordic School of Photography in Oslo, Norway. Amber is committed to photography education and to helping photographers realize their creative and career potential. She has taught photography workshops in the US, Europe, Asia and has been a guest lecturer at several institutions. In addition, she has judged a number of international photo competitions. Amber is an advisory council board member for CENTER, a non-profit that honors, supports, and provides opportunities to gifted and committed photographers.
Independent Curator And Photo Editor
Arianna Rinaldo is a freelance professional working with photography at a wide range. Since 2012 she is the artistic director of Cortona On The Move in Italy. She is also curator of photography for PhEST, festival of contemporary art focused on the Mediterranean. She was the director of OjodePez magazine, the bilingual documentary photography quarterly published by LaFabrica, Madrid, for 7 years. Arianna’s relationship with photography started in 1998 in New York, as Archive Director at Magnum Photos. Back in Italy in 2001, she joined Colors magazine as photo editor. Based in Milan from 2004 to 2011, Arianna worked as a freelance curator for exhibits and book projects, and a photo consultant for publications, among which 4 years at D, the weekend supplement of La Repubblica. Based in Barcelona since 2012, Arianna continues to develop photography projects at an international level, and teaches workshops, explores photo festivals, and is intrigued by amazing stories told through images. Arianna collaborates with publishing houses for special projects and is a regular participant in portfolio reviews and jury panels worldwide, as well as speaker and lecturer. She has been conducting workshops and masterclasses in various venues, festivals and photography schools in Europe.
Independent Photography Curator, Advisor And Educator
Eefje is an independent Dutch photography advisor, educator and curator based in Amsterdam (NL). She holds a MA in Educational Sciences (University of Amsterdam) and studied photography at the Institut Catalan d'Estudis Fotogràfics in Barcelona, Spain. She previously worked as a project manager and manager of the Education Department at World Press Photo between 2008 and 2016. During those years she developed, fundraised and coordinated different training projects and publications in the Middle-East, Africa and Latin America. For years, she coordinated the well-known Joop Swart Masterclass, which has brought forward many of nowadays big names in the industry of photojournalism and documentary photography. In 2017 she was the Artistic Director of Photoreporter Festival in Saint-Brieuc, France. She is Education Manager at PHmuseum since 2018 and also a founding member Transformations, as well as a founding member of the international photographers collective and agency MAPS. She has been participating in different juries and additionally nominates for the World Press Photo Joop Swart Masterclass and 6x6 Talent Program.
Photo Editor at Esquire and Harper’s Bazaar Italia
Emanuele Amighetti is a Milan-based photography editor, writer and curator. Since the magazine was founded in November 2018 he is the Photo Editor of Esquire Italia where he works on the visual language of the publication along with the Studio Temp. In early 2020 he joined the creative team at Harper’s Bazaar Italia for the brand relaunch on digital and the forthcoming print edition. He lectures at the Istituto Italiano di Fotografia (IIF) where he leads the Contemporary Photography and Visual Storytelling programme. He also works on independent editorial and curatorial projects with publishers and photographers. He is co-author of Confine (Delicious Editions, 2018).
Federico Clavarino (1984) is an Italian photographer based between Madrid and London. After attending a Master Course in literature and creative writing at Alessandro Baricco's Scuola Holden, in 2007 he moved to Madrid where he started studying photography at BlankPaper School with Fosi Vegue. Two years later he was already working on his personal photography projects, and in 2010 he published his first short essay, La Vertigine. His first book, Ukraina Pasport, came out the following year, receiving the PhotoEspaña Honourable Mention as best book of 2011. At the same time he began working as a teacher for BlankPaper School, where he taught until 2017. In September 2014 the London-based publisher Akina Books brought out his second book, Italia o Italia. The work received good reviews from a number of critics and the original photographs were exhibited in 2015 at the International Photography Festival of Rome. In April 2016 Dalpine published his third book, The Castle, which was exhibited in various festivals (PhotoEspaña 2016, Les Rencontres d'Arles 2017) and galleries (Viasaterna in Milan, Temple in Paris) around Europe. Another of his current projects, Hereafter, received the La Caixa Foundation Fotopres grant in 2014. The work was exhibited for the first time at CaixaForum in Barcelona in February 2017 and will soon be made into a book. He currently teaches and lectures internationally, collaborating with schools, universities, institutions and festivals around Europe.
PHmuseum Founder and Director
Giuseppe Oliverio (b. Bologna, 1985) is an Italian entrepreneur, curator and filmmaker. In 2012 he founded phmuseum.com, a curated online platform dedicated to contemporary photography based in London. Nowadays the project presents bimonthly online exhibitions, features the work of 5,000 selected photographers, and connects them with photo editors and curators worldwide. Recently they also launched an online educational program, offering one-to-one portfolio reviews, consultancies, and mentorships with internationally recognized professors. PHmuseum is also known for its Grants aimed at financing and promoting photographers and their projects. Only in 2018 it offered £25,000 in cash prizes, plus other relevant opportunities such as a solo show at Cortona On The Move, features on Vogue Italia, and a nomination for the World Press Photo’s Joop Swart Masterclass. Former jury members include Roger Ballen, Sarah Leen (National Geographic), Martin Parr (Magnum Photos), Pamela Chen (Instagram), and Alessia Glaviano (Vogue Italia). Giuseppe worked as a portfolio reviewer at many events including Cortona On The Move, Photo Vogue Festival, Verzasca Foto, SI Fest, and for Magnum Photos at Visa Pour L’Image in Perpignan. He was in the jury of international awards like Gomma Grant, Happiness Onthemove, The Fence, Reminders Photography Stronghold and Viewbook Grant. He gave talks and joined panels at international festivals like Photoville in New York, Paraty Em Foco in Brazil, and Ojo de Pez Meeting in Barcelona. He also wrote a series of articles on Latin American photography for TIME magazine. His first documentary A Conscious Dream was selected to 12 film festivals across Europe, USA and Latin America and awarded best documentary short at 2016 Manchester International Film Festival. His second project, A Land, is currently premiering at film festivals.
Art director, Designer & Founder of Void
Brazilian born, based in Lisbon, João Linneu (1978) graduated in Communication and worked for 20 years as an Art Director, Head of Art and Creative Director in several advertising agencies in São Paulo and London. He was awarded in prestigious advertising and design awards such as the D&AD, Cannes Lions, One Show, and Clio. For the last 12 years, João has also started developing his photographic projects and ended up founding Void (an independent publishing house, and alternative exhibition space in the heart of Athens) in 2016 with Myrto Steirou and Sylvia Sachini.
Katrin Koenning is a German photographer and photographic educator based in Melbourne, Australia. In 2016 her first book, Astres Noirs, received the Australian Photobook of the Year Award and was shortlisted for both Prix Nadar and the Paris Photo/Aperture First Book Award. Katrin regularly exhibits in Australian and international solo and group exhibitions. She is a former editor of the Australian PhotoJournalist Magazine, and her images are published widely in places such as The New Yorker, ASX, The New York Times, The Guardian, Der Spiegel and many others. Katrin regularly teaches intensive conceptual and narrative-based workshops in photographic practice and thinking, working closely with institutions and festivals such as Angkor Photo Festival (Siem Reap, Cambodia), The Lighthouse (Calcutta, India), Photo Kathmandu (Kathmandu, Nepal), Photobook NZ, The Centre for Contemporary Photography (Melbourne, Australia), Perth Centre for Photography and the Australian Centre for Photography among others. She has been a photographic educator since 2008, teaching documentary storytelling at the University of Queensland and Photography Studies College Melbourne. Katrin is represented by East Wing Gallery.
My art focuses on social documentary and portraiture, and seeks to explore the complex relationship between subject and photographer. I am driven by research led, self-initiated projects that push me both as an artist and as an individual. I need to question what I don’t understand and access worlds closed off to me. I am drawn to adventure, I want to roam and play with the limitations and dynamics of photography as an art and as act. I largely shoot on analogue film allowing the process to be organic rather than being predefined by fixed ideas, thus removing additional pressure on the sitter. I try to understand the lives of those I capture, and to present them creatively. I’m a firm believer that time, trust and understanding is the key to portraying subjects truthfully, as such, many of my projects develop over several years. This particular approach allows a genuine connection to exist between sitter and photographer, which in turn elucidates the intimacy of these very human exchanges. My images aim to suggest the shared ideas and experiences that are entwined in each frame that I shoot. My work aims to tell and inspire stories .I want to connect and emotionally engage with you.
Lisa Barnard (1967) is a British photographic artist and educator based in Cardiff. Her photographic practice discusses real events, embracing complex and innovative visual strategies that utilise both traditional documentary techniques with more contemporary and conceptually rigorous forms of representation. Lisa connects her interest in aesthetics, current photographic debates around materiality and the existing political climate. Sean O Hagan, Guardian Review of 'Chateau Despair': “Barnard describes herself as a photographic artist, but her work seems unapologetically political. She pays homage to, and undercuts, the tropes of documentary realism”. She is a Reader in Photography and Programme leader on the MA in Documentary Photography at The University of South Wales. Lisa has two publications both with GOST, Chateau Despair and Hyenas of the Battlefield, Machines in the Garden. Her new project, The Canary and the Hammer will be published by MACK early in 2019.
Director of Photography Geo France
Born in Havana to a family of artists, Magdalena Herrera left Cuba as a child to settle in Paris, where she studied fine art and art history at the Sorbonne before starting her career as a photographer and art director. She has worked in books, print and magazines, spending ten years as Art Director and head of the photo department at National Geographic France before joining Geo France as Director of Photography. Parallel to her journalistic work, Magdalena Herrera runs workshops and seminars around the world organized by the World Press Photo Foundation including the Joop Swart Masterclass. She is a tutor in photography at the Noorderlicht Masterclass at Groningen, Holland, and at Jamia Millia Islamia University in New Delhi, India, as well as for Fokal, the Soros foundation in Haiti. She has taught photojournalism at Sciences-Po Journalisme, Paris. Her experience and her eye for photography mean that she is regularly solicited as a Jury Member at international photography competitions. She was the chair of the 2018 World Press Photo contest.
Max Pinckers (1988) is an artist based in Brussels, Belgium. His oeuvre explores documentary modes and their inherent power structures through various visual storytelling strategies in the form of self-published artist publications and exhibition installations. His works include The Fourth Wall (2012), Will They Sing Like Raindrops or Leave Me Thirsty (2014), Trophy Camera v0.9 (2017) andMargins of Excess (2018). He is currently a doctoral researcher and lecturer in the arts at the School of Arts / KASK, Ghent. He has lectured at various universities and art schools, including the Zurich University of the Arts, The University of South Wales in Newport, KABK Royal Academy of Art in Den Hague and the Capa Center in Budapest. Pinckers has been internationally awarded and has had major exhibitions at MOCAK in Poland, the Philadelphia Museum of Art in the United States and the Centre for Fine Arts - Bozar in Belgium, among others. In 2015 he founded the independent publishing house Lyre Press and was recently among the Forbes 30 Under 30 in the Arts.
Photo Editor for Special Projects and Investigations, The Washington Post
Nick Kirkpatrick is a photo editor at The Washington Post where he collaborates across the newsroom on special projects and stories, including with the paper's award-winning Investigative unit. Nick's work has been recognized by numerous awards from the Overseas Press Club of America, Best of Photojournalism, the National Press Foundation and Pictures of the Year International. Since joining The Post in 2013, Nick has worked with the foreign desk as the International Photo Editor and has launched a number of innovative projects and initiatives. Most recently, he was part of a small interdisciplinary team working in close collaboration with Google to develop a visual storytelling format tailored to mobile audiences. Nick enjoys teaching and mentoring visual journalists. He lectures and reviews portfolios at industry events around the world and is a is proud faculty member at the Eddie Adams Workshop. Nick has served on juries for the Women Photograph + Nikon grants, the Carmignac Photojournalism Award, and the Visa d'Or Awards at Visa pour l'Image, the world's biggest photojournalism festival.
Photographer & PHmuseum Curator
Rocco Venezia is a photographer and works as a curator for PHmuseum. He holds a first-class honour degree in Documentary Photography from the University of South Wales (UK). Nekyia, his first monograph has been published in 2017 by Witty Books (former Witty Kiwi), the volume is now part of the collection of The National Art Library at V&A Museum (UK) while was listed as one of the best books of the year by Photo-Eye (US). In 2018 Rocco has been selected as one of the 2nd Cycle emerging artists by Parallel Platform and in the scope of this program, started to produce a new body of work expressing a metaphysical view of Southern Europe. Both his projects have been exhibited in several galleries (ISSP Gallery 2019, Capa Center 2019, Galleri Image 2019) and festivals (Organ Vida 2018, Obscura Festival 2018). Next to his personal practice, Rocco works as curator and producer for PHmuseum since 2017, in synergy with platform's director Giuseppe Oliverio, he develops the editorial line and the curatorial activities of the online community. Lately, Rocco has worked on the concept and editing of Familiar Stranger a collective book published by PHmuseum in January 2020. Rocco is also co-founder and director of Photo Meliggoi, a residency program which hosts every year one photographer in Meliggoi, a small village in North-Western Greece.
Our mentors are all experienced professionals with different interests and expertise. You can search on keywords to find the right match.
Once you have selected the mentor, click the Book now button to select your preferred date, time, and language and duration. We offer 30/60-min portfolio reviews, 4-hour consultancy sessions and 12-hour mentorship programs. You can also leave a note to share your work with the mentor and communicate your goals.
Purchase the class and check your inbox. You will receive a confirmation email with the basic info to get in touch with your mentor and the booking details. Your mentor will reach out to you to confirm the date and time of the booked session.
I can tell you that the role of a mentor is absolutely necessary because the photographer, at whatever level, is so emotionally involved in his work that it is really hard, if not impossible, to have an objective vision of the whole. And when you happen to meet a curator able to enter your world and show you your possible way without influencing your point of view it's really helpful. Personally, I had this chance with PHmuseum. Mariagrazia Beruffi, Italy
6 February 2019
10 October 2019
23 April 2019