Photographer
In her series (Tsy) Possible, photographer Charlotte Yonga looks beyond stereotypes to capture the tenderness, connection, and quiet hopes of Madagascar's young generation imagining its future.
Disposable cameras sent to Ukrainian frontline soldiers return with letters, keepsakes, and fragments of memory, forming an intimate archive of life lived through war.
For over a decade, artist Keisha Scarville has returned to a single passport photo of her father to ask what such an image can hold, and what remains just beyond its edges.
Chauhan returns to her ancestral village in Uttar Pradesh to document a crumbling house – and finds time itself as her subject.
Through family archives, lineage, and layered imagery, Reece turns grief, love, and remembrance into a quiet form of activism, exploring what it means to see and be seen.
Verdiana Albano's I Ain't From No East Coast reconstructs Afro-German history through fragmentation, family archives, and the absences official narratives leave behind.
Through field photography, rephotographed archives, and AI generated images, Wang’s vision creates a hybrid space that mirrors Shimenkan’s history of cultural collisions — a metaphorical landscape where magical realism and lived history converge.
Kwok’s photographs reveal the emotional moments behind and after a disappearance that the media never fully told—highlighting hope, loss, and resilience.
Documenting a region transformed by oil, money, and technology, Amy Kim reveals the layered visual and social complexities of life in West Texas.
Hashem Shakeri’s images trace the fragility of Afghan life after the Taliban’s return to power, revealing lives suspended between uncertainty and survival—not as a story of defeat, but of humanity staring back from the void.
Weaving together photography, archives, and letters, Padre examines the complexities of masculinity—how it is inherited, performed, questioned. Mendez’s images linger in the spaces between power and vulnerability, myth and memory, presence and absence.
In her series Tierra Prometida/Promised Land, photographer Lisa Elmaleh exposes the deadly reality of the border wall while capturing the resilience and humanity of migrants, bringing to light personal stories too often overlooked.
By reconstructing her childhood home, Faustino’s miniature world reshapes personal trauma into a visual narrative, inviting viewers to look closer and confront what lies beneath the surface.
In a world sculpted by rapid social and political currents, the Iranian photographer has forged a personal path to document transformation—of spaces, people, and herself—delving into the liminal thresholds of her homeland.
Through quiet fragments and tender moments, Coló tells a story of shared existence, love, and vulnerability.
Unnatural Collapse examines the value of self in the digital age, probing the fragility of personal identity within the online world, exploring the blurred boundaries between nature and artifice.
Máté Bartha explores connection, solitude, and the stories within everyday objects and landscapes. Drawing on philosophical and historical ideas, he invites us to find our own meanings, revealing the delicate interplay between reality and perception.
In his work, Caspian, Javanmardi captures the poignant transformation of the Caspian Sea, revealing how environmental change intertwines with the lives and stories of those who depend on its fading beauty.
Blending history, poetry, and photography, Tsubota explores the intersections of personal and collective memory, bridging the gap between impersonal and sterile military records and the profound depth of human experience.
Through her compelling narrative, Weiler's dual role on film sets unveils both the beauty and harshness of fictional storytelling, while also reflecting on her personal journey with a constrained body.
In High Visibility (Blaze Orange), Wright strives to deepen understanding of the intricate ecological and historical narratives of the American West, advocating for a transition to more sustainable land practices.
Her photography intertwines instinct and intention to transcend realism and evoke novel emotions. Through her work, Zabenzi aims to foster a personal exploration within the intricate interplay of human life and the surrounding world.
Ramona Jingru Wang's project, "My friends are cyborgs, but that's okay," challenges Asian stereotypes in media, while exploring the depth of human complexity beyond societal norms.
As a first-generation American photographer, Montes Duran navigates her identity while reflecting on her family's immigrant experience, capturing both the struggles and joys of their culture.