Tillsammans och Isär (together and apart) is a response to the relationship I have to my matrilineal Swedish heritage. It contemplates the nature of family and home and how our cultural inheritances shape the ways we navigate what it means to belong.
Made during a 6-week period visiting my grandmother in Sweden for the first time in 5 years, Wander Lines explores the uncanny encounter of the familiar as it has been made strange through the separation of time.
Puno puno, laku noć (lots and lots, goodnight) broadly explores how personal and collective narratives of migration, identity and belonging are entangled and embedded within nostalgia.
The Birdsong is Deafening is an ongoing body of work that contemplates the endlessly shifting landscape between memory, loss and place.