Sensing Matter presents a selection of works examining photographic materiality and objecthood. The exhibition asks a simple question – at what point might a photograph become visible as a thing? – and develops from it a study in perception and encounter.
PostSensorium, RIXC Art Science Festival is exploring the immensity of our virtual and real-life challenges that demand a renewed focus on sensory perception and embodied experiences.
In an effort to highlight the often‐invisible threats that chromogenic prints pose to the biosphere, I gently layer water atop colour-negative paper and delicately infuse it with Kodak print chemicals.