A series of portraits that use collage to visually represent the intersections of identity, representation, race, and belonging within first, second, and third-generation BIPOC American immigrants.
Through unconventional portraiture, these multimedia works investigate the intersections of identity and self-representation.
In the Constructed Self, I use photography as the basis for the three-dimensional objects combined with wood, paint, and resin as a means to challenge our visual perception and the concept of identy
"El Pertenecer en Tiempos Modernos" explores social media platforms, like Facebook and Instagram, and their role in how we present ourselves.
“Deconstruction” explores the relationship between perfection and failure while simultaneously exploring the representation of women in modern times.