THE RED THAT STAINS
A mutating Tanzanian landscape shaped by histories of trade, extraction and globalisation. The photographic surface is a palimpsest of time and memory, revealing how slow, often unseen forces permeate land and life, leaving nothing unchanged.
Alles Heeft Zijn Tijd / Everything In Its Time
The work addresses the fear of forgetting through photographs of my childhood home. Objects become silent witnesses, revealing a fluid, emotional landscape where memory, time, and identity expand, erode, and transform in the act of remembering.