HIS MINECRAFT
HIS MINECRAFT is an analogue study of virtual spaces. Using 4x5 color negative, Irving has developed a bespoke method of photographing digitally-generated interiors found within her husband’s private Minecraft city.
NOT AN EXIT
NOT AN EXIT is a collection of large format analog photographs that proposes a closer examination of the nondescript interiors that we routinely pass through; doorways and hallways, spaces intended for movement but here, somehow appear impenetrable.
NOT AN EXIT
NOT AN EXIT is a collection of large format analog photographs that proposes a closer examination of the nondescript interiors that we routinely pass through; doorways and hallways, spaces intended for movement but here, somehow appear impenetrable.
SHOW CAVES
SHOW CAVES is a collection of large format analog photographs that explores the anthropocentric tendencies of modern tourism seen in domestic and international show caves
HIS MINECRAFT
HIS MINECRAFT is an analogue study of virtual spaces. Using 4x5 color negative, Irving has developed a bespoke method of photographing digitally-generated interiors found within her husband’s private Minecraft city.
ROCK SAFARI
ROCK SAFARI is a large format analog study of rock outcroppings illuminated by a high-powered, long-range flashlight. These formations are selectively painted with light during exposures on 4x5 color negative that range from 8 to 45 minutes.
HIS MINECRAFT
HIS MINECRAFT is an analogue study of virtual spaces. Using 4x5 color negative, Irving has developed a bespoke method of photographing digitally-generated interiors found within her husband’s private Minecraft city.
SHOW CAVES
SHOW CAVES is a collection of large format analog photographs that explores the anthropocentric tendencies of modern tourism seen in domestic and international show caves.
WINDOWS
WINDOWS is a large format analog photographic study of the daylight that filters into rooms where curtains are pulled closed, blinds are drawn down, and shutters are locked into place.
NOT AN EXIT
NOT AN EXIT is a collection of large format analog photographs that proposes a closer examination of the nondescript interiors that we routinely pass through; doorways and hallways, spaces intended for movement but here, somehow appear impenetrable.