Beauty and the Pigs

"We can no longer rely on the sky—only each other and ourselves" - Sreymom Kan

Beauty and the Pigs delves into the world of Samin and her sisters, Sameat and Sreymom. Potentially the last inheritors of their family’s cherished rice farming tradition, the Kan sisters and their families live in Battambang, a major rice growing province, where for generations their family has cultivated the land, harvesting not just rice but a sense of identity.

Today, the sisters stand at a crossroads as changing climate patterns, including floods, droughts, and unpredictable rainfall, have disrupted their once familiar rhythm of sowing and reaping, posing a threat to their livelihood. Added pressures of mounting debt and anxieties about an unknown future have pushed these women to seek supplementary forms of income. To try and make ends meet, they now raise pigs as livestock and run a makeshift beauty parlour part time.

The narrative mirrors the struggles echoing throughout Cambodia's rice growing regions. While rice farming remains central to the nation's economy and identity, recent unpredictable weather patterns have directly impacted traditional rice production, placing significant challenges on farmers and rural communities.

Moreover, the experience of the three sisters resonates far beyond the provincial borders, reflecting the roles of women in Cambodia's patriarchal society. They often shoulder the majority of agricultural responsibilities, including planting, weeding, and harvesting. These traditional roles as caregivers, farmers, and family pillars thus expose them to disproportionate risks from severe environmental shifts.

The series is a depiction of the sisters' lived realities and their quiet triumphs in the face of environmental obstacles. In producing this body of work, I sought to understand what it means to be a woman in these challenging circumstances.

Beauty and the Pigs is no extraordinary tale but a common one that reflects the hopes and worries of countless grandmothers, mothers, sisters, and daughters across Cambodia, and beyond. It serves as a reminder that what might seem ordinary to some is, in fact, extraordinary in its familiarity.

This body of work is intended to be part of a larger project aimed at documenting the experiences and challenges faced by women in Cambodia as they confront the impacts of climate change. The intention of the larger project is to interweave the lives of women from various regions and illustrate the collective experience of a group most vulnerable to today's climate crisis.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Sisters Samin, Sameat, and Sreymom gaze upon the rice field they've recently replanted from scratch, following the heatwave and drought that claimed their previous crop.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Despite what is meant to be the wet season, the Kan family's rain-fed water reservoir, often used clean and care for livestock, is depleted.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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"I'm not married. It's hard enough being a woman, why would I make things harder by bringing a man into my life? I have my mother to look after, I can't look after a husband. Plus, I've seen how women suffer with men." Samin Kan

© Ponita Keo - Neang Kong Rei, the legendary "left-behind princess", from the Khmer legend of Puthisen and Neang Kong Rei.
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Neang Kong Rei, the legendary "left-behind princess", from the Khmer legend of Puthisen and Neang Kong Rei.

© Ponita Keo - Sameat and her daughter, Botoum, fifteen, rest after a morning of work with the pigs.
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Sameat and her daughter, Botoum, fifteen, rest after a morning of work with the pigs.

© Ponita Keo - Newborn piglets in the Kan sisters' livestock farm feed on their sow.
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Newborn piglets in the Kan sisters' livestock farm feed on their sow.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Sameat, Samin and Sreymom's niece, Thida, eighteen, spends much less time in the fields than her aunts. Her mother wants her to preserve her good looks by staying under the shade. Instead, she helps out at the beauty parlour.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Pictures of Samin on the wall of her beauty parlour. "I used to be pretty but now look at my face. Working in the fields meant I had to sacrifice my looks. But now I'm not sure it was worth it". - Samin Kan

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Samin tends to a customer in her makeshift hair salon, while her niece, Thida, keeps her company. "All women want to be beautiful, right? If I can't be beautiful, at least I can make others beautiful". - Samin Kan

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Typically in the wet season, rice fields are expected to be submerged in water, preventing weeds from growing. In recent years, weeds have grown over many fields. The sisters now collect them for pig feed.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Sreymom, a new mother, is often in charge of meal preparations in the mornings, while Sameat and Samin handle the bulk of farm labour.

© Ponita Keo - A lifesize figure embodying the prototypical Cambodian rural woman.
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A lifesize figure embodying the prototypical Cambodian rural woman.

© Ponita Keo - Sreymom bathes her toddler daughter, Ti.
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Sreymom bathes her toddler daughter, Ti.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Sameat, Samin and Srey Mom's mother, retired in her seventies, sits by the stupa of her late husband who was also a rice farmer like his parents before him. She is currently cared for by Samin.

© Ponita Keo - Image from the Beauty and the Pigs photography project
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Cousins Thida, Boutum and baby Ti on their family rice field. "We can no longer rely on the sky to help us. So I encourage the children to aspire for other things in life. I don’t want the girls to suffer the same fate." - Sreymom Kan

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