ORIGINS
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Dates2019 - Ongoing
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Author
- Topics Portrait, Landscape, Social Issues, Fine Art, Photobooks
- Locations Brazil, Minas Gerais
Origins gathers cyanotypes made along the Estrada Real in Minas Gerais, printed with iron salts and toned in coffee, tracing what mining and slavery left: fasting masks, abandoned mines, scrap iron, saints.
Origins is a body of work that attempts to scratch the surface of a rich but
brutal history—a history of discovery and exploitation in the mineral-rich
region of Minas Gerais, Brazil. In Portuguese, the word exploração translates
as both "exploitation" and "exploration," a linguistic duality that captures the
essence of this land's story. My work cannot begin to describe the wounds left
on the earth and humanity by human avarice; I can only try to document the
marks left behind.
This project consists of coffee-stained cyanotypes, created using one of the
first photographic processes developed in the mid-19th century. The principal
active ingredient is iron salts, evoking the area known as the "Iron Triangle"
where this imagery was captured. The state contains the world's richest veins
of iron ore, and mining comprises much of its economic activity today. Slavery
was essential to the gold mining cycle that began in the 17th century and
preceded the current iron industry. While Brazil abolished slavery in 1888—
the last country in the Americas to do so—its systems and structures persist
to this day.
The process of staining the images with coffee not only alters their color and
tone but also references one of slavery's primary activities in 19th-century
Brazil: the harvesting of coffee beans. The coffee and iron salts used to render
these images are themselves commodities still produced in the region,
alongside gold, silver, and the exploitation of human labor. The staining
process resonates with the idea of remnants. My work records both the
reflections and shadows I perceive of this history and its direct evidence.
My work is concerned with recording the reflections and shadows of a history
that remains opaque at best. As in my own country, the United States, it is a
sordid story that has permeated society's bedrock foundations. Capitalism,
colonialism, and political systems were all created with explicit disregard for
the human beings they commodified—people considered less valuable than
the minerals they extracted to be sent back to Portugal.
In Brazil, the Estrada Real (Royal Road) extended from Paraty on the coast to
Diamantina in the interior of Minas Gerais—a town named for its diamond
discoveries and extraction. The Royal Road was a tool of supremacy designed
to guarantee the flow of mineral wealth from Brazil to Portugal.
Simultaneously, it was meant to limit Brazil's potential by making it
dependent on and subservient to Portugal. Despite its grandiose name, the
Estrada Real was designed to choke Brazil's ability to stand independently.
The country was kept poorly educated, and all manufactured goods were
meant to come from Portugal, with the intention of making Brazil a
permanent vassal to the crown.
As both a historian and photographer, I am fascinated by this system of
supremacy—its intricate mechanisms of control that people learned to live
with. Those who held power became the elites, while those who toiled under
their yoke became accustomed to what they could not change. The system
was installed, and society grew around it, just as it did in the United States.
The modern institutions of capitalism were being invented at the time, and
they too accommodated themselves to the prevailing systems of supremacy.
Despite these evil legacies, there is a bright side. The culture of the peoples
who were part of this complex system exists vibrantly today. The incredible
culture of colonial Brazil is exemplified by UNESCO World Heritage cities like
Ouro Preto, Congonhas, and Diamantina—breathtaking in their beauty.
Equally incredible is the culture that developed from the African peoples
brought to mine the riches so desired by the Portuguese crown. Today, these
places stand as monuments to a past built on ambition and avarice.
To know more visit https://origins.vip