'OM

'Om is a collective work almost 50 Palestinian women of Hebron, West Bank and myself. It is a large series of analog images on their lives&homes, as an antidotum for the male politics and violence, to regain agency, to show resistance to the occupation.

Introduction.

The carnage, the devastation and destruction in Gaza is unprecedented. For months now the outside world is screaming for a ceasefire. The unrelenting carpet bombing on this small densely populated area, the mass slaughter -70 procent women and children- presents nothing short of a genocide. In the West Bank, in Hebron, where I conducted this collective project 'Om with almost 50 women, the settler violence has risen since October 7th to extreme heights. The checkpoints are quasi closed, the settlers put on army uniforms and commit crimes in total impunity, soldiers are more aggressive than ever. When I started this project with analogue cameras, in an area of the Westbank where violence is endemic, in the beginning of February of 2023, long before the Hamas attack and the horrendous retaliation on Gaza - its citizens and infrastructure, life was very difficult for the Palestinian women I worked with. Now, it has become untenable.

By handing the camera over to the women to photograph their life, house and surroundings in 'Om/Mother, I handed over the control. As a photographer coming from the continent responsible for the suffering of the Palestinians, I felt it compulsory to embed this viewpoint in the formal conditions of the project.

The camera is perhaps the most powerful weapon of the Palestinians, to document and expose what is happening inside the Westbank. And because of cultural reasons, the Tel Rumeida women were often not keen to be in the picture, so in this way, as photographers, they took agency. The could control the image that is painted of their lives. And since the camera on the violence, on the deadlock politics surrounding the lives of the Palestinians in Tel Rumeida, is the digital camera, I decided for analogue photography to be the sole medium of these women. To convey something less tangible, less sharp, factual and ruthless, something more ambiguous, blurry, colourful and emotional, referencing to the messy notion of a loving home.

About 'Om.

'Om (Mother) is a photography project with all the women of 8 families in Tel Rumeida in Hebron, Palestine. 'Om, the Arab word for mother, became the title because mothers are the driving force of community life in Palestine, like in many other places in the world.

Hebron is the only city on the Westbank, apart from Jerusalem, where Israeli settlers are living in the heart of a Palestinian city, which makes it one of the most explosive places in the Westbank, with a crowded mix of Palestinians, settlers, and soldiers (who are there for no other reason than to protect the Jewish settlers against the Palestinians). In this hood in H2 (the part of Hebron under strict military control, all Palestinians are subject to military law) is situated the Cave of Abraham, holy for both Jews and muslims and in Tel Rumeida specifically there is the Spring of Abraham and the graves of some patriarchs and matriarchs.  So it is not a surprise that in Tel Rumeida, a few of the most radical Israeli settlers in the whole Westbank are residing.

My presence here, like that of many other western photographers, video makers, activists and journalists is important to make the world aware and protect the people who suffer under this total system of apartheid. On top of the military occupation of their land, the lack of control of their lives and bodies, there is always the immediate threat of colonist-neighbours violently harassing them, which they do in total impunity. Men and women both suffer from this situation. But it is mostly men we see in videos or press items or on social media, confronting the violence on the streets or submitting to it. When in Tel Rumeida the women leave their house, to go to work, to the store or to school, they fear for their safety and that of their children and do not stay long on the streets to meet other women. Raising a family here and just staying in this incredibly violent place, that is threatening, always pregnant with imminent confrontations, and more so, by continuously creating a loving home for their children and family members, these women and girls are presenting the ultimate act of resistance to the military occupation that wants to expel them.

The women understood the concept of 'Om/Mother and the motivation for the analogue and the intangible perfectly. The result was unexpected and proved to be more than I could ever hope for. The unpredictable character of the analogue, the light leaks, the mistakes, all that also corresponds seamlessly with the fact that these women are not in control of the violent context that surrounds them. The creation process was a beautiful one and very intense, we saw each other daily during my different stays in Hebron in 2023. To talk, to eat, to change the film in their camera, to walk, to check the camera, to photograph together etc. All the while dealing with the violent reactions of neigbouring settlers. But the women and I connected on many different levels and all of them are now my dear friends and some feel like family. I feel very proud of our collective work and what we have accomplished together, of the incredible process we went through.

We made a beautiful book 'Om/Mother, published by The Eriskay Connection (NL) in April 2024, that on its cover honours the 8 mothers and by doing that honours áll Palestinian mothers. The book works like an immersive experience, it is a compilation of hundreds of analogue spontaneous images, texts by the participating women on what their home and land means to them, texts by me and by Adam Broomberg and some factual information at the end of the book. The first print is almost run out. The book launched in Belgium in April in the presence of Aysha and Sundus al Azza, 2 young women photographers from Tel Rumeida. All profits from the book and the project are going to the women's activities in Tel Rumeida, organised by YAS Center (language courses, yoga etc) believing that non-violent resistance and strengthening their community is the best strategy to fight the oppression they endure.

'Om/Mother celebrates this force of love, this spirit of female solidarity and courage, of enduring Palestinian resilience. It is precisely because of this dignified, proud and calm resistance that Palestine is the key moral issue for what is left of the world's humanity.

© Barbara Debeuckelaere - 'Om-1.jpgShiri'han takes a bath in this hidden spot under the trees in 'Om Tamer's garden, where no man can see them.
i

'Om-1.jpgShiri'han takes a bath in this hidden spot under the trees in 'Om Tamer's garden, where no man can see them.

© Barbara Debeuckelaere - 'Om-2.jpgWomen in Tel Rumeida have the love for their gardens and plants in common. They cherish them.
i

'Om-2.jpgWomen in Tel Rumeida have the love for their gardens and plants in common. They cherish them.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-3.jpgNidaa, daughter of 'Om Ahmad, took this picture (double exposure) in the garden of the university of Bethlehem where she studies chemistry. She also works daily in a store to cover the medical bills of her father, who has dementia.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-4.jpgThis little steep dirt road where the boy's legs are dangling is a point where almost every Palestinian in Tel Rumeida -not allowed to take the main road because too close to the settlement- daily passes.

© Barbara Debeuckelaere - 'Om-5.jpgLamar, 4th daughter of 'Om Hazem (5 children), is crazy about the camera. She took a lot of pictures herself.
i

'Om-5.jpgLamar, 4th daughter of 'Om Hazem (5 children), is crazy about the camera. She took a lot of pictures herself.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-6.jpgAn Israeli soldier post on top of a Palestinian's rooftop. With 22 checkpoints with face recognition, dozens of road blocks and army posts, many security camera's on the houses, there is zero privacy for Palestinians in Tel Rumeida and in H2.

© Barbara Debeuckelaere - 'Om-7.jpgRayan, a little girl, on the wedding in the family of 'Om Muntasser.
i

'Om-7.jpgRayan, a little girl, on the wedding in the family of 'Om Muntasser.

© Barbara Debeuckelaere - 'Om-8.jpgSimple and so awesome image, by a young talented girl.
i

'Om-8.jpgSimple and so awesome image, by a young talented girl.

© Barbara Debeuckelaere - 'Om-9.jpgIn the house of 'Om Yusuf. Daughter Aysha is capturing light.
i

'Om-9.jpgIn the house of 'Om Yusuf. Daughter Aysha is capturing light.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-10.jpgView on Hebron from the terrace of 'Om Tamer, who lives on the top floor of a two storey house. The flashing on the fence turns it into an abstract eery element, a reference to the caging occupation.

© Barbara Debeuckelaere - 'Om-11.jpgNephew of 'Om Abdul.
i

'Om-11.jpgNephew of 'Om Abdul.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-12.jpgAll pots and plants in the garden of 'Om Emad are wrapped with cloths and pieces of textile. To protect and to decorate the terrace. By framing it like this, it seems to get a relic-like aura.

© Barbara Debeuckelaere - 'Om-13.jpgLojain, 2nd daughter of 'Om Hazem.
i

'Om-13.jpgLojain, 2nd daughter of 'Om Hazem.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-14.jpgMohammad, son of 'Om Muntasser (6children). 'Om Muntasser was very enthusiastic about this analog photography, it brought her back to her youth, when she still photographed. Now the umenployment of her husband makes this impossible.

© Barbara Debeuckelaere - 'Om-15.jpgShoes, sandals and floors are so telling.
i

'Om-15.jpgShoes, sandals and floors are so telling.

© Barbara Debeuckelaere - 'Om-16.jpgAbdul, only son of 'Om Abdul.
i

'Om-16.jpgAbdul, only son of 'Om Abdul.

© Barbara Debeuckelaere - 'Om-17.jpgView from the rooftop of 'Om Ahmad.
i

'Om-17.jpgView from the rooftop of 'Om Ahmad.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-18.jpgThe light leaks and red flare on the photographic film makes this sofa of 'Om Muntasser more than just a seating object in the room, it is about a warm home.

© Barbara Debeuckelaere - 'Om-19.jpgAlmost all rooftops in Tel Rumeida are equipped with security cameras. Also this one of 'Om Tamer.
i

'Om-19.jpgAlmost all rooftops in Tel Rumeida are equipped with security cameras. Also this one of 'Om Tamer.

© Barbara Debeuckelaere - Image from the 'OM photography project
i

'Om-20.jpgThe blurriness in this image of the most recent grandchild of 'Om Tamer, is like a reference to the strong female energy, warmth and love inside the families, being in contrast to the sharp press images of the violence outside.