I saw a tree bearing stones in the place of apples and pears

  • Dates
    2022 - 2024
  • Author
  • Locations Poland, United Kingdom, Netherlands, Ireland, Belgium

Meteorites, boulders, rocks, stones A child-like obsession that began innocently, fuelled with curiosity: ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ข ๐˜ณ๐˜ฐ๐˜ค๐˜ฌ ๐˜ธ๐˜ฉ๐˜ช๐˜ด๐˜ฑ๐˜ฆ๐˜ณ?

"๐˜๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ข๐˜ต๐˜ฉ๐˜ฐ๐˜ญ๐˜ช๐˜ค ๐˜ค๐˜ฉ๐˜ถ๐˜ณ๐˜ค๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ฆ๐˜ฆ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ญ๐˜ช๐˜ค๐˜ด.

๐˜›๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด ๐˜ช๐˜ด ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ด ๐˜ฐ๐˜ง ๐˜ข ๐˜ด๐˜ข๐˜ช๐˜ฏ๐˜ต.

๐˜›๐˜ฉ๐˜ฆ ๐˜ด๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฃ๐˜ฆ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ข๐˜ช๐˜ฏ๐˜ต, ๐˜ฐ๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ถ๐˜ด๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ถ๐˜ณ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ๐˜ด๐˜ฆ๐˜ญ๐˜ท๐˜ฆ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ.

๐˜›๐˜ฉ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ณ๐˜ฅ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด ๐˜ณ๐˜ฆ๐˜ญ๐˜ช๐˜ค ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ฐ๐˜ง ๐˜ข ๐˜ด๐˜ข๐˜ช๐˜ฏ๐˜ต.

๐˜›๐˜ฐ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ณ๐˜ฅ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด ๐˜ณ๐˜ฆ๐˜ญ๐˜ช๐˜ค๐˜ด, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฆ๐˜ด ๐˜ข๐˜ณ๐˜ฆ ๐˜ฅ๐˜ณ๐˜ช๐˜ญ๐˜ญ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ฐ๐˜ฎ๐˜ฃ๐˜ด ๐˜ฐ๐˜ง ๐˜ด๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ด. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด ๐˜ข๐˜ณ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ต๐˜ฐ๐˜ถ๐˜ค๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ณ๐˜ฑ๐˜ด๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ข๐˜ณ๐˜ฆ ๐˜ฏ๐˜ฐ ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ฅ๐˜ข๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ถ๐˜ฏ๐˜ฅ๐˜ข๐˜ฏ๐˜ฆ - ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ด๐˜ข๐˜ค๐˜ณ๐˜ฆ๐˜ฅ."

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Meteorites, boulders, rocks, stones

A child-like obsession that began innocently, fuelled with curiosity:

๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ข ๐˜ณ๐˜ฐ๐˜ค๐˜ฌ ๐˜ธ๐˜ฉ๐˜ช๐˜ด๐˜ฑ๐˜ฆ๐˜ณ?

Ancient mythology is filled with cautionary tales where young, eloquent females were punished for their outspokenness and turned into rocks.

A curse of Medusa meant that she transformed anyone she looked at into a rock: mute, passive, motionless and unable to express.

Some rocks were believed to be gods, chained to the ground in case they decided to make a return to heavens; celebrated, feared. Some took on central roles in the communities becoming places of worship, grief, sacrifice.

For over two years I have been collecting rock stories. Many of them belong to folk people, such as my ancestors: collectively woven myths that gave ground to caring rituals of relating to space, the land, to one another. Over time these stories fluctuate, gently passed for generations.

The longer I give in to my obsession, the more I begin to believe that a rock is not mute at all, but perhaps, the most excellent storyteller of them all.

"I saw a tree bearing stones in the place of apples and pears" is an exploration of a rock as a carrier of stories, a migratory body, a silent, mysterious visitor, filled with projections, dreams and fears. It is an investigation of the myths, stories and rituals and an act of reclaiming them back.

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In the case of an exhibition I would like to present the photographic work alongside the "speaking stone" sound installation. The "speaking stone" is a 15x20cm hollow ceramic meteorite-like sculpture with a mini sound system installed inside, playing a 6 minute sound piece on a loop. The sound piece is inspired by the myth of Echo and reclaiming the voice.

I saw a tree bearing stones in the place of apples and pears by Emilia Martin

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