Where The Flow Ends at Mass' Studio

  • Opens
    20 Jun 2024
  • Ends
    30 Jun 2024
  • Link
  • Location London, United Kingdom

Mass is delighted to invite you to Where The Flow Ends, a collective photographic exhibition exploring a new narrative along the River Severn, the most polluted river in the UK.

Overview

The Severn is the longest and most polluted river in the UK. Along it, human life, industry and nature rise and fall over time, echoing the tides of the Bristol Channel.

Marking the boundary between England and Wales, the River Severn bears witness to how the human projects to dam, cross and channel the flow of rivers in our need for agriculture and industry have removed the river from the romanticised beauty of its source. The river's mechanised and highly controlled current state feels distant from our idealised perceptions of its natural flow, confronting us with the question: how will we choose to shape our future relationship with the river?

Where The Flow Ends presents a photographic journey through a place where the river and the sea meet, and raw and processed water flow against one another. The project interweaves eight individual photographic approaches into a single, collective picture, combining perspectives to build a renewed narrative of the Severn.

This exhibition takes place against the backdrop of the pollution of water bodies across the UK spiralling to unsustainable levels, threatening ecosystems, public health, and our ability to enjoy water in the same way as previous generations have. The work on display creates a set of new visual references for the Severn, restoring a sense of magic and mythology, returning a lost esteemed status, and stimulating future care for the river.

Exhibited artists are Caroline Charrel, Simon Kennedy, Andrew Meredith, William Morgan, Luca Piffaretti, Francesco Russo, Polly Tootal and Henry Woide.

© Simon Kennedy
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© Simon Kennedy

© Polly Tootal
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© Polly Tootal

© Caroline Charrel
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© Caroline Charrel

© Henry Woide
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© Henry Woide

© Francesco Russo
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© Francesco Russo