The river is a loom, the thread is a mountain

The project explores the rise and decline of textile colonies along Catalonia’s Llobregat River. Through the landscape and archival imagery reimagined as textile patterns, the project reveals traces of power, control, and memory in these spaces.

In the late 19th century, textile colonies emerged along the Llobregat River in Catalonia. These self-contained communities comprised factories, housing, and communal amenities.

These microcosms operated under a paternalistic system that exchanged low-cost welfare for exploited labor and restricted freedoms. The perceived benefits of this dynamic fostered a climate of obedience and compliance among workers and their families.

The textile industry’s decline in the 1970s precipitated a crisis for the colonies. Factories fell silent, and supporting infrastructure collapsed. These once thriving communities transformed into spectral remnants of their industrial past.

“The river is a loom, the thread is a mountain” registers the natural and constructed landscape, developing a symbolic archeology that reveals the embedded traces of power, control, hierarchy and class.

Engaging with these interwoven layers, archive images are deconstructed and reimagined as textile patterns, blending the visual and material elements of the space. By integrating archival imagery within the framework of textile production, the work echoes the systemic structures of power that define these colonies, connecting the repetitive, disciplined labor of their inhabitants to the lasting imprints of hierarchy and exploitation. This transformation also reflects the fragmented nature of memory, inviting a deeper interrogation of the constructed narratives that shape our understanding of history.

By examining the residues of industrialization and the enduring presence of nature, the work explores how the colonies' identity is shaped by the collision of past and present, fact and fiction.

Furthermore, the anachronistic nature of the landscape motivates a study on the interplay between historical and mythological narratives that define the collective memory of these spaces.

© Joel Jimenez - Textile patterrn #1. Group portrait of the people of the textile colony.
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Textile patterrn #1. Group portrait of the people of the textile colony.

© Joel Jimenez - Model of the "Master's House", the home of the owner of the factory and the textile colony.
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Model of the "Master's House", the home of the owner of the factory and the textile colony.

© Joel Jimenez - Textile patterrn #2.
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Textile patterrn #2.

© Joel Jimenez - Monument to one of the owners of the textile colonies.
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Monument to one of the owners of the textile colonies.

© Joel Jimenez - Image from the The river is a loom, the thread is a mountain photography project
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Textile patterrn #3. Children performing the fascist salute while Cara al Sol (Facing the Sun), the anthem of the Falange, plays.

© Joel Jimenez - Image from the The river is a loom, the thread is a mountain photography project
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Textile pattern #4. The bus served as a vital link between textile colonies and one of the few communal spaces where workers could briefly socialize before enduring their long and demanding workdays.

© Joel Jimenez - Textile pattern #5.
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Textile pattern #5.

© Joel Jimenez - Book used in the 1950s to instruct the children on values ​​and morals.
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Book used in the 1950s to instruct the children on values ​​and morals.

© Joel Jimenez - Textile pattern #6. Workers build a dam to harness the river's use of energy to supply textile factories.
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Textile pattern #6. Workers build a dam to harness the river's use of energy to supply textile factories.

© Joel Jimenez - Textile pattern #7.
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Textile pattern #7.

© Joel Jimenez - Image from the The river is a loom, the thread is a mountain photography project
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A mural that predates the construction of the textile colonies, located on the wall of a house in the Catalan countryside that belonged to an oligarchy in the 17th century. The family would become owners of 3 textile colonies later on.