This Isn't Divide and Conquer

This Isn’t Divide and Conquer is a project rooted in family history that branches out into a journey, across the 5 states of India that share a border with Pakistan. Trying to investigate how historical events play a part in shaping the Indian landscape.

This Isn’t Divide and Conquer is a project rooted in family history that branches out into a journey, across the 5 states of India that share a border with Pakistan. Using photography, the maker attempts to understand how historical events have played a part in shaping the Indian landscape and the ever-changing identity of its people.

The title of the project has historical connotations. Divide and Conquer is a strategy of the British that pitted religious groups against one another. The hope of employing it was that Indians would be busy fighting amongst one another instead of the Imperial British Rule. It was a tactic that led to one of the largest forced migrations of people ever, 14 million people were displaced, and over 1 million people were killed. A moment of time that defined generations. Leading to 4 India Pakistan wars. Countless other lives to be lost and a deep rooted sense of hatred to exist between these two nations. 76 years later, This tactic is being employed once again by the current right wing government of India. As they have successfully managed to polarise different communities based on religious differences and have gained a stronghold on the land of 1.4 billion people.

Majority of families in North India has their own story that deals with the partition. The project aims to act as a vessel for the people to share their own stories. The border is what separates us; it is where history is embedded. History that defines the identity of the land I come from, the land where I lost my grandfather. The hastily drawn line by the British separated cities, villages, and families. My paternal grandfather was a part of the Indian Armed Forces, the road to which was from the Indian Military College, formerly called the Royal Indian Military College, where he ate, drank, grew alongside Pakistani Army Officials. However after 1947 they would be face to face against one another in 4 wars. Whilst both my maternal grandparents migrated to India in 1947

In a time of politic division leading to polarisation of the population, the project focuses on similarities rather than differences. Aiming to provide a platform for reflection and dialogue.

This project is a candidate for PhMuseum Days 2024 Open Call

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© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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The landscape seemed so vast and the showed or rather illustrated how humans interacted with the surroundings, using it for their own benefits. The capitalist, post colonial mindset of encroaching the land that surrounds us.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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with the rise of the right wing government in India since 2014, the rise of nationalism and the term colonialism was brought up at many instances. Repeating Patterns, subtly appeared ; manufactured lies rooted in demolished landscapes were brought to the foreground.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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In August of 1947, a separation caused the violent birth of two nations, India and Pakistan. Violence that led to 14 million people being displaced and over 2 million people being killed. Trains full of corpses arrived on either end of the border that remained open for 2 days post the independence. Hussainiwala was one of the multiple train stations that experienced this arrival.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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“The fact that the history of the medium coincides with the heyday of imperialism and the colonial appetite for spectacle in no accident"- Nathanial Gaskell and Diva Gujral. The ‘Western Saviour’ was portrayed in several images during this era . The ‘civilised’ European, coming to the aid of the ‘primitive subjects’, those who did not know how to handle their possessions.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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Abandoned and broken bridge that led to Gurdwara Chhevin Patshahi. Situated on the banks of river Jhelum, in the hilly town of Uri. When Sikhs were targeted during the 1947 tribal invasion, the Syed Muslims of the area did not let anyone violate the sanctity of the Gurdwara.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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forest fire has been appropriated to seem like that of an invasion. The concept of appropriation the author exercises dates back to the use of photography by the British Imperial Rule during the reign over there colonies. To amplify and heighten a message.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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Shot in Atari, the last railway stop of India leading to Pakistan on the North-Eastern side of Punjab. Another site that witnessed the 1947 train massacre.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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The scars from the partition still run deep, resulting in a sense of hatred that exists between the two countries mass population, that again is fueled by politics. On the backs of which 4 wars have been fought between India and Pakistan. Out of the four, three have used the state of Kashmir as the battleground. The so-called Heaven on Earth is one of the most disputed areas in the world.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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Shot on the Manali-Leh National Highway where massive construction work is going on to make the flow of movement smoother, especially for the army. Situated in the midst of 3 nuclear power nations, Ladakh is strategically immensely important and has been the battleground for the 1999 Kargil War as well as many other altercations amongst the neighbours. What was once a mountain is slowly changing.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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Image taken in the Martand Sun Temple in the Kashmir Valley. It is an eight-century CE Hindu temple, making it one of the oldest in Kashmir. Through invasions and several earthquakes, the temple was destroyed. Ruins and Remnants of the temple has been declared as a site of national importance by the Archaeological Survey of India.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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Enroute Turtuk, the last village of India in the region of Ladakh. Is home to the ancient silk route. The image as titled was produced there. A village divided in two, families separated for eternity

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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The rise of a potential superpower sparks sweeping changes—shifting identities, landscapes, and politics. Progress necessitates sacrifice: mountains split, communities uprooted for national advancement. As foreign relations bloom, imperfections emerge. 'Natural Formation' encapsulates India's delicate yet captivating identity—fragile yet beautiful.

© Aaryan Sinha - Image from the This Isn't Divide and Conquer photography project
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The image serves a colonial agenda, complicating my role as an Indian working on projects for a Western audience. In India's stifling political climate, truth-telling risks branding one an "indigenous informant." My work blends visual rhyme and intertextual narrative, veiling political commentary in poetic imagery.

© Aaryan Sinha - A staged photograph in Rajasthan captures children climbing a tree, embodying fearless exploration and communal spirit.
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A staged photograph in Rajasthan captures children climbing a tree, embodying fearless exploration and communal spirit.

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