This Home of Ours

  • Dates
    2020 - Ongoing
  • Author
  • Location Cape Town, South Africa

For decades, tourists have flocked to the vibrant neighbourhood of Bo-Kaap in Cape Town, South Africa. Many visitors pass through, while others have decided to lay more permanent roots, transforming relatively cheap property into Airbnbs for travelers. As real estate prices continue to soar, long-term residents are fighting to retain the essence of Bo-Kaap’s Islamic cultural heritage amidst growing geographical changes.

“This Home of Ours” acts as a contemporary time capsule of the neighbourhood’s rich history. At a time when both an influx of foreigners and the Covid-19 pandemic are endangering the livelihood of many community members, this series seeks to provide a platform of visibility that amplifies the voices of residents and chronicles their experiences for generations to come. Through intimate portraits and depictions of the varied landscape, this work showcases how the Bo-Kaap culture has evolved at the intersection of race, religion, and identity.

Stretching from the top of Signal Hill down to Cape Town’s City Centre, today, Bo-Kaap’s vibrantly coloured homes replace the once uniformly white palette that reflected the looming presence of the British and Dutch colonial powers. The Coloured community, a multiracial ethnic group native to South Africa, has faced multiple cycles of displacement and now comprises a majority of the Bo-Kaap population. For the residents of this neighbourhood, starting anew is a familiar task, with each era prompting them to examine the strength of their historical and cultural ties to the land they occupy. After being uprooted from their homes abroad, and forcefully removed from District Six under the Apartheid regime in the 1950s, gentrification has become the latest threat towards the predominantly Muslim, Coloured community of Bo-Kaap.

Through “This Home of Ours,” my intent is to shift the focus of the narrative from the detached issue of gentrification to the community members themselves, who have played an integral role in the preservation of Bo-Kaap’s history, traditions, and values. In exploring the cultural implications of displacement alongside the Covid-19 pandemic, this project examines the way history permeates one’s landscape. My aim is to highlight Bo-Kaap as more than its mesmerizingly colorful facade and its monetary value as a point of prime real estate, further elucidating outsiders to the neighbourhood’s distinct character and its residents’ strong sense of unity.

© Ayesha Kazim - Image from the This Home of Ours photography project
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The view of Cape Town's Central Business District from Bo-Kaap. The origins of Bo-Kaap can be traced back to one individual named Jan de Waal who was an employee of the Dutch East India Company. After arriving to the Cape in 1715, de Waal bought a plot of land between Dorp and Wale Street in 1760 which would later come to be known as Bo-Kaap.

© Ayesha Kazim - Rashieda, a long-time resident of Bo-Kaap, stands for a portrait from her balcony on Wale Street.
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Rashieda, a long-time resident of Bo-Kaap, stands for a portrait from her balcony on Wale Street.

© Ayesha Kazim - Image from the This Home of Ours photography project
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The rapidly increasing property rates in Bo-Kaap have pushed many families who have lived in the neighbourhood for generations out of their homes. While the remaining members are working to combat gentrification, their main concern lies in the fear of newcomers moving into the community and refusing to adapt to the customs and values that have been a part of this neighbourhood for centuries.

© Ayesha Kazim - Image from the This Home of Ours photography project
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Two women who perform volunteer work as part of the Bo-Kaap Cultural Hub prepare lunch for residents who have requested meal assistance during the COVID-19 Pandemic. The Bo-Kaap Cultural Hub is a community organization that aims to educate tourists on the history of the area by tracing the evolution of the culture and traditions of the Cape Malay Muslims. An initiative begun by the Boorhaanol Islam Movement, the Hub aims to provide visitors with educational insight and develop programs that strengthen the socio-economic status of its residents.

© Ayesha Kazim - Image from the This Home of Ours photography project
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A woman prepares to plant tomatoes in a new plot for the Bo-Kaap Community Garden. The Koestas Community Garden was an initiative begun by resident Soraya Booley who wanted to find a way to empower her community following the onset of the pandemic. Booley and a group of residents started Sustainable Bo-Kaap, an organization whose mission is to provide workshops and educational services to residents that have suffered a loss of income as a result of the pandemic.

© Ayesha Kazim - Exterior of the grocery store, Rose Corner Superette, on Wale Street.
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Exterior of the grocery store, Rose Corner Superette, on Wale Street.

© Ayesha Kazim - Image from the This Home of Ours photography project
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Patrick tends to the garden in his front yard on Longmarket Street. Patrick is a fairly new resident of Bo-Kaap who has been living in the area for the last three years. He began working on his garden following the onset of the pandemic in March, as a way to stay busy.

© Ayesha Kazim - Image from the This Home of Ours photography project
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The view of two houses located on Wale Street. While under colonial rule, slaves who leased houses in Bo-Kaap were ordered to maintain them in a uniform, white color. Following their release, it is said that the residents painted their houses with bright colors to symbolize their newfound freedom and individualism.

© Ayesha Kazim - Mahier and his family stand for a portrait outside of their home in Bo-Kaap.
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Mahier and his family stand for a portrait outside of their home in Bo-Kaap.

© Ayesha Kazim - Image from the This Home of Ours photography project
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An Islamic display created for an educational exhibit sits inside the main hall of the Bo-Kaap Cultural Hub. The Bo-Kaap Cultural Hub is a community organization that aims to educate tourists on the history of the area through the creation of cultural exhibits and programming. An initiative begun by the Boorhaanol Islam Movement, the Hub provides visitors with historical tours, while also cultivating resources that seeks to strengthen the socio-economic status of Bo-Kaap’s residents.

© Ayesha Kazim - Image from the This Home of Ours photography project
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A row of houses is overtaken by vegetation from an empty plot of land. The houses draw similarities to “huurhuisjes” or hire houses, which were some of the first developments in Bo-Kaap built by Jan de Waal. These single story, flat roof developments were leased to slaves during the 18th century. Following the creation of this photograph, the land depicted would soon transform into the foundations of the Koestas Community Garden.

© Ayesha Kazim - Image from the This Home of Ours photography project
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A young girl waits for her meal outside the Bo-Kaap Cultural Hub as volunteers prepare the daily lunch service for community members affected by the pandemic.

© Ayesha Kazim - Image from the This Home of Ours photography project
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The rapidly increasing property rates in Bo-Kaap have pushed many families who have lived in the neighbourhood for generations out of their homes. While the remaining members are working to combat gentrification, their main concern lies in the fear of newcomers moving into the community and refusing to adapt to the customs and values that have been a part of this neighbourhood for centuries.

© Ayesha Kazim - A man sits for a portrait outside of his garage on Van Der Meulen Street.
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A man sits for a portrait outside of his garage on Van Der Meulen Street.

© Ayesha Kazim - Image from the This Home of Ours photography project
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A row of dilapidated cars overlook the city from Military Road. In the distance, an unfinished condominium that was constructed in a style meant to imitate the Bo-Kaap color palette, stands empty.

© Ayesha Kazim - Image from the This Home of Ours photography project
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Masturah Adams, the director of the Social Welfare Department of the Boorhaanol Islam Movement and manager of the Bo-Kaap Cultural Hub, sits for a portrait. Adams has lived in Bo-Kaap for the past 55 years and has seen the community undergo numerous changes over the years. When asked about her thoughts on the impact of gentrification on the community, Adams stated, “We cannot stop people from buying in Bo-Kaap. We cannot dictate whether or not they are allowed to buy property, they are entitled to that right. However, the [individuals] coming in need to accept that there’s a particular lifestyle in Bo-Kaap. They need to accept that if you live here, you need to adapt to the culture.”

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