The Legacy Series

  • Dates
    2020 - Ongoing
  • Author
  • Locations Los Angeles, Beverly Hills

The Legacy Series is a photographic exploration of queer heritage, grief, and creative lineage. In my late great-uncle’s untouched, opulent home, I merge archival fashion, portraiture, and personal artifacts- blurring past and present to connect with him.

The Legacy Series

The Legacy Series is a photographic exploration of queer heritage, grief, and creative lineage. This project emerged from losing my great-uncle, David Hayes - a renowned yet forgotten fashion designer and a gay man who navigated the contradictions of success and silence during the 1980s. He witnessed the HIV/AIDS epidemic devastate his community, losing friends and collaborators while navigating an industry built on spectacle and discretion.

After he passed, I found myself going through boxes of photographs, letters, and keepsakes - fragments of a life that was both glamorous and profoundly shaped by loss. Among them were thank-you notes from Nancy Reagan, stacked beside letters from friends who had died of AIDS-related illnesses. The contrast showed me the complexity of his world - a man who moved effortlessly through high society yet carried the weight of an erased generation. I felt an overwhelming regret for the conversations we never had; the history left unspoken. To process that grief, I turned to the one thing we both understood - creativity. Through photography, I tried to have those missing conversations to understand the full scope of his life better.

In his lush, secluded Beverly Hills home, I styled and photographed actors, artists, models, and my mother in his archival designs - pieces once worn by Zsa Zsa Gabor, Audrey Hepburn, and Liza Minnelli. I restaged an era I had always admired but with a louder, queerer presence - one that he, despite all his success, was never fully allowed to embrace. The staged portraiture in this series mirrors the ghosts of the past, merging young Hollywood with old Hollywood opulence, creating a charged space where memory and reinvention collide.

This series is a dialogue across time, exploring identity, longing, and the artistic journey through a queer lens. It reflects how grief can become a creative expression, how photography can reclaim a legacy, and how queer figures - past and present - remain in quiet conversation. The Legacy Series is not just a tribute; it’s a testament to the presence of queer ancestors in today’s LGBTQ+ experience.

In an era of rapid digital archiving and fleeting virality, The Legacy Series asks: Who gets remembered? Who gets erased? How do we ensure queer histories aren't just preserved but actively reshaped? By submitting this work for the PhMuseum Photography Grant, I aim to expand its reach through exhibitions, publication and continued archival exploration.

© David Vassalli - Image from the The Legacy Series photography project
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The Legacy Series by David Vassalli, 2025. A photographic exploration of queer heritage, grief, and creative lineage - bridging past and present through archival fashion, portraiture, and personal artifacts.

© David Vassalli - Portrait of my great-uncle David Hayes, 1970s - Altered Archival Scan, 2025
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Portrait of my great-uncle David Hayes, 1970s - Altered Archival Scan, 2025

© David Vassalli - From Left to Right: Reworked David Hayes Ad, 2022 & Magenta Portrait of My Uncle from the 1970s, 2022
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From Left to Right: Reworked David Hayes Ad, 2022 & Magenta Portrait of My Uncle from the 1970s, 2022

© David Vassalli - Image from the The Legacy Series photography project
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Stills from David Hayes’ 1983 Interview on LA Today, 2022(I shot these from a deteriorating VHS recording, these stills preserve a fleeting moment in which Hayes, and his designs, still occupied the cultural spotlight. This archival intervention speaks to the ephemeral nature of fame and the quiet erasure of queer figures from mainstream history.)

© David Vassalli - Image from the The Legacy Series photography project
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Self-Inventory: Personal Diary Entry of David Hayes, 1997(Written in a planner, this personal inventory lists his strengths and weaknesses with wit and humor. Under “negative traits,” he wrote: Not accepting my homosexuality. A quiet, devastating confession - one that speaks to a generation of men forced to compartmentalize who they were.)

© David Vassalli - Image from the The Legacy Series photography project
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From Left to Right: David Hayes’ Architectural Digest Feature, 1989 & The Legacy Series Title Page (A scanned page from Architectural Digest’s 1989 fashion designer issue presents Hayes' home as a curated world of taste and excess. Opposite, The Legacy Series title page marks the transition from archival artifact to contemporary photographic dialogue, embedding his influence within my own wok)

© David Vassalli - The Lady and the Lamp, Interior Arrangement, 2021
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The Lady and the Lamp, Interior Arrangement, 2021

© David Vassalli - Jodie, Exit Stage Left, 2020
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Jodie, Exit Stage Left, 2020

© David Vassalli - Sharok in the Guest Room, 2020
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Sharok in the Guest Room, 2020

© David Vassalli - Image from the The Legacy Series photography project
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Jodie in the Leopard Room, Beverly Hills, 2020(A drag queen in my uncle’s main bedroom “The Leopard Room” where every surface was draped in leopard print. A space of curated excess, now reclaimed in a moment of queerness, bold and fully inhabited.)

© David Vassalli - Gilded Remains: 18th Century Baccarat Chandelier, 2020
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Gilded Remains: 18th Century Baccarat Chandelier, 2020

© David Vassalli - Is That All There Is? Marta Wearing Archival David Hayes, 2021
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Is That All There Is? Marta Wearing Archival David Hayes, 2021

© David Vassalli - Image from the The Legacy Series photography project
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From Left to Right: Bitter Fruit, 2020 & Danny at the Gate, 2020(A lemon ripens on the branch, a figure stands at a wrought iron gate - two images in quiet dialogue. The pairing of these works references temptation, masculinity, and exile, with the gate serving as both threshold and barrier to a lost world.)

© David Vassalli - Danny on the Juliette Balcony, Leopard Room, 2020
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Danny on the Juliette Balcony, Leopard Room, 2020

© David Vassalli - Image from the The Legacy Series photography project
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From Left to Right: Letter from Aaron Spelling, 1983 & Danny in the Foyer, 2020(A handwritten letter from television mogul Aaron Spelling praises Hayes’ generosity. On the right, Danny stands nude in my uncle’s ornate foyer. The contrast reveals the divide between my uncle’s celebrated public life and the private reality of being a gay man in an era that demanded silence.)

© David Vassalli - Image from the The Legacy Series photography project
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Where Did the Glamour Go? Marta in Archival David Hayes, 2021(A phrase my uncle would repeat after two Stoli martinis, frustrated by the state of fashion and entertainment. Draped in his archival designs, Marta embodies that question - a reflection of the glamour he chased, mourned, and ultimately left behind)

© David Vassalli - Image from the The Legacy Series photography project
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The Executor, Mom Wearing Archival David Hayes in His Living Room, 2020(Seated in my uncle’s living room, where we spent holidays since I was a kid, my mom wears his vintage silk, leopard-print jacket - the same one from the ad earlier in the book. The executor of both his estate and his memory, she sits among bookshelves and framed portraits, becoming part of the archive herself.)

© David Vassalli - Image from the The Legacy Series photography project
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From Left to Right: Smoke & Mirrors – Fashion Sketches in My Uncle’s Bathroom & My Mom Wearing Archival David Hayes, 2020(A smoked mirror reflects the fashion sketches I grew up looking at - the ones that shaped my visual language, now staring back at me decades later in my own work. On the right, my mom wears a suit that mirrors those very drawings, embodying the language of attitude we share.)

© David Vassalli - Image from the The Legacy Series photography project
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The Final Act, Mom on the Baby Grand Wearing Archival David Hayes, 2020(On the last night before the house was sold, my mom climbed onto the baby grand, draped in my uncle’s designs - one final performance in a space once alive with glamour. Both staged and sincere, it’s a farewell steeped in opulence, mourning, and theatricality - a grand finale for a legacy that refuses to fade.)

© David Vassalli - Image from the The Legacy Series photography project
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To My Namesake – A Signed Headshot from My Great-Uncle, Sent to Me as a Kid, 1990s(Inscribed to me, his namesake, this signed headshot from the 1990s closes the book - bringing everything back to our connection. A gesture of recognition, an inheritance in ink, and a quiet reminder that even through absence, his presence remains.)