The Home, The Field And The Flux

This project explores cotton and private farming in Uzbekistan, focusing on internal migration and seasonal labor, it examines how ideas of home, migration, and community are reshaped by movement and work.

Historically, cotton was inseparable from Uzbekistan. People have been figuring out ways to bring water even to the driest parts of the steppe for centuries. Later, the Russian Empire, and then the USSR, implemented irrigation projects to capitalize on cotton, which led to an ecological disaster — the shrinking of the Aral Sea. Today, workers massively migrate across the country to rent fields as independent seasonal farmers, while others are employed in cotton picking by giant businesses close to the government. 

I follow the life of workers on the fields and try to construct a portrait of these specific agricultural practices in Uzbekistan. I follow how each year farmers migrate to cultivate rented land in the Farish region, constructing temporary settlements that function as villages for eight months at a time, from February till September. These cyclical migrations form a recurring social architecture: communities assembled around labor, then dismantled. 

After I am done in Farish, I move to the cotton fields. The harvest takes place in September and October across the country, drawing people into another seasonal migration. Some work near their homes; others travel long distances, including to the capital, forming temporary communities. Moving between regions becomes my own yearly cycle — returning to the fields, tracing the repetition of gestures and routines that define the harvest.