TATITA

  • Dates
    2022 - Ongoing
  • Author
  • Topics Contemporary Issues, Daily Life, Documentary, Portrait, Social Issues, War & Conflicts
  • Location Guatemala, Guatemala

San Simon (aka Tatita), a crucial syncretic figure in Mayan Guatemala, was endorsed as the exclusive pre-Columbian deity by Spanish priests during the colonial era. Despite historical suppression, millions of Guatemalans continue to worship him today.

San Simon, an enigmatic entity known as Monchito, El Abuelo, Tatita (sweet father), Maximon, or “the one who existed before the wind”, assumes a profound presence in Maya mythology and contemporary folk expressions. Revered in myriad forms across the Guatemalan Highlands, his narrative weaves into the intricate fabric of age-old Maya traditions.

In the era of the Spanish Conquest, Christianity emerged as a coercive force for Indigenous compliance in the New World. Despite efforts to impose monotheistic beliefs, the resilient Indigenous communities clandestinely sustained worship of their ancestral deities, even as pagan idols fell and temples crumbled. Coexisting with Christian figures, their gods persisted in secrecy.

San Simon, uniquely sanctioned by Spanish priests, took on a Western guise for worship, complete with a beard and conventional attire. Indigenous communities gained the liberty to revere him, albeit within the constraints of saintly representation.

Spanning the entire Mayan Highlands, San Simon's influence endures among contemporary Guatemalan ethnicities. Despite denial from Catholic society, a stark reality persists, citizens, both regular and influential, contribute wealth to this ancient figure. However, the cult grapples with increasing stigma amid the ascendance of the evangelical Christian movement.

© Juan Brenner - Image from the TATITA photography project
i

During San Andres Semetabaj's annual celebration, participants take turns wearing the revered San Simon costume, engaging in violent activities like hitting each other with a quince fruit stick throughout Good Friday in Holy Week.

© Juan Brenner - Image from the TATITA photography project
i

Shattered glass covers the image of Saint Judas, a proxy of San Simon, on a wall in the grand San Simon's temple in San Andres Iztapa, Guatemala. Grateful locals adorned all temple walls with plates, expressing thanks for Maximon’s abundant miracles.

© Juan Brenner - Image from the TATITA photography project
i

Two San Simon figures ride in a car's back seat on San Simon's holy day, October 28. Thousands flock, bringing their statues for blessings and activation by a shaman. Secret San Simon altars abound in private houses across Guatemala.

© Juan Brenner - Image from the TATITA photography project
i

In the traditional ritual at San Simon’s temple, a chicken stands ready for sacrifice. Shamans, upholding time-honored customs, perform the ceremony with deep respect, viewing the ritualistic act as a sacred link to the spiritual world.

© Juan Brenner - Image from the TATITA photography project
i

Devotees, fueled by deep loyalty, ink themselves as a thank-you for favors and a personal pledge. Having "Tatita" permanently etched enhances the bond, taking the connection from ordinary to something sacred.

© Juan Brenner - Image from the TATITA photography project
i

A rare stone-carved San Simon image unveils a rustic, pre-Columbian aesthetic in a personal, private altar. This seldom-seen portrayal reflects an indigenous and Mayan approach, capturing a unique glimpse into a more ancient reverence for the deity.

© Juan Brenner - Image from the TATITA photography project
i

San Simon's main temple walls tell tales of gratitude, adorned with countless plates expressing thanks for favors granted – from resolved health issues to financial blessings. Each plate narrates a miracle, leaving no space uncovered on all walls.

© Juan Brenner - Image from the TATITA photography project
i

Over five years, my photos document the enduring tradition of wearing precious metals in the mouth. Rooted 2000 years ago with the Mayans, symbolizing power and royalty, today, people in the highlands adopt it as a unique emblem of style and power.

© Juan Brenner - Image from the TATITA photography project
i

The main image of San Simon resides in San Andres Iztapa. Amid other depictions, this holds unparalleled reverence. Shielded by plastic and a damp towel, the antique wood endures the ritualistic offerings—liquids, alcohol, and perfume—spat by worshipers.

© Juan Brenner - Image from the TATITA photography project
i

Siete Montes" (seven weeds) is a common tool for cleanses and white magic rituals. This blend of aromatic plants has been used for centuries in rituals across the territory, passing down traditions of spiritual purification.

© Juan Brenner - Image from the TATITA photography project
i

This is a very unique portrayal of "El Abuelo" – a finely detailed statue showing European features. Notably adorned with fragrant flowers, capturing San Simon's affinity for the natural perfume.

© Juan Brenner - Image from the TATITA photography project
i

In a dim space, a mummified calf awaits a black magic ritual led by a San Simon shaman. Fear lingers as the calf absorbs and redirects negativity, weaving death and mystic power in the ritual's dark dance.

© Juan Brenner - Image from the TATITA photography project
i

An incomplete statue of "La Flaquita," the Santa Muerte deity with Mexican roots, its presence emerges in the Guatemalan Highlands. Tied to narco activity, it shadows the landscape, drawing devotees away from San Simon.

© Juan Brenner - Image from the TATITA photography project
i

San Simon's delights: candy, liquor, tobacco, alcohol, dead animals, but above all, honeycombs. This rare treat, expensive and elusive, captures the essence of devotion.

© Juan Brenner - Image from the TATITA photography project
i

Erick (17), a dedicated San Simon devotee since childhood. Now, he's crafted his tradition—every October 28, he visits, dances, and raises a toast to honor "El Tatita."

© Juan Brenner - Image from the TATITA photography project
i

This image Captures the vibrant essence of a Maximon rituals. The focal point is an elaborate "Quema," a burnt offering to San Simon. Hundreds of colorful candles, candy, sawdust, sacrificed chickens, tobacco, and luxury items create a lively tableau.

© Juan Brenner - Image from the TATITA photography project
i

A stylish mariachi musician strikes a pose at San Simon's annual celebration. Street musicians, like him, are hired to play during rituals, prayers, and joyous moments. San Simon's deep affection for music is evident in the lively atmosphere.

© Juan Brenner - Image from the TATITA photography project
i

A 16-year-old San Simon devotee shows off his tattoo. Historically perceived as an "indigenous only" deity, the globalization wave in the Guatemalan highlands has led ladino youth to embrace Mayan traditions.

© Juan Brenner - Image from the TATITA photography project
i

San Simon engages in a traditional ceremony in San Andres Semetabaj. The ritual involves San Simon traversing the town, whipping people as they engage in spontaneous fights.

© Juan Brenner - Image from the TATITA photography project
i

In the Guatemalan highlands, shamans value jewelry for protection. Some prefer flamboyant styles, often opting for cheap imitation pieces. This choice enhances their charismatic image, showcasing personal style preferences in this culturally rich setting.

Latest Projects

Sign up to our weekly newsletter

Stay in the loop


We will send you weekly news on contemporary photography. You can change your mind at any time. We will treat your data with respect. For more information please visit our privacy policy. By ticking here, you agree that we may process your information in accordance with them. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.