SPIN

Think of reality as a complex tapestry, and an allegory is like weaving a smaller, simpler rug that perfectly mirrors the big one, but in a different texture

This series functions as a dismantling of the broadcast a statement on the fragmentation of truth. To "spin the reality" is to break the world into pieces and reassemble them into a shape that serves a purpose. In this project, we witness the moment of that breaking. This visual approach treats the television not as a medium of information, but as a physical landscape of distortion. By focusing on the "spin," the moment is captured when the truth is ground into digital dust.

In this project, the "spin" is an act of violence against the visible. We are used to the media being a smooth, liquid stream that flows into our homes. These images act as a dam—they stop the flow and show us the sediment, the jagged rocks, and the unnatural colors that remain when the "glitz" is drained away.

The faces in this work are "digital martyrs." They are being consumed by the very signal that gives them life. When the faces disappear and only the abstract blocks remain, we are looking at the pure language of propaganda: a code that no longer needs a human face to tell its story. The absence of the face is the ultimate goal of the "spin"—a reality so manufactured that the human element is entirely replaced by the machine.

This is not a series about what we see on television; it is a series about what television does to what we see. It is an invitation to look at the shards, to recognize the manipulation in the mosaic, and to wonder what existed before the spin began.