Spaesaggio

"It is not the gardener who creates the garden but the garden that creates the gardener!" Gilles Clèment

"You do not live in a neutral and white space; you do not live, you do not die, you do not love within the rectangle of a sheet of paper. You live, you die, you love in a checkered, cut-out, variegated space, with bright and dark areas, unevenness, steps, hollows, and protrusions, with some regions being hard and others fragile, penetrable, porous." - Paul-Michel Foucault

The "spaesaggio" represents a distant elsewhere, freed from human elements, but still a constant and nonexistent presence. It can be created anywhere and everything contained within it solely adheres to its intrinsic nature. By examining the garden through the inspiration of Foucault's philosophical theories on "counter spaces" and "heterotopias," and according to the concept of "Third Landscape" theorized by Gilles Clement, we can discover another interpretation of the garden as a place that embraces a diversity excluded by all other spaces, imperfect fragments of landscape where the natural landscape unexpectedly recreates itself spontaneously.

It is not the gardener who creates the garden, but the garden that creates the gardener! Only by rediscovering a deep connection and collaboration with nature can we create places capable of emerging from the aridity of copy-paste landscapes.

© Alice Jankovic - Image from the Spaesaggio photography project
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The chimera in botany is a plant whose tissues derive from two different cell lines, which is not limited to a simple representation of nature, but is achieved through a creative unity with man.

© Alice Jankovic - Image from the Spaesaggio photography project
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The chimera in botany is a plant whose tissues derive from two different cell lines, which is not limited to a simple representation of nature, but is achieved through a creative unity with man.

© Alice Jankovic - Image from the Spaesaggio photography project
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The landscape can emerge in any place and is an authentic manifestation of one's essence. It occurs when man gives up control of himself and allows nature to express itself freely.

© Alice Jankovic - Image from the Spaesaggio photography project
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When man no longer interferes with wild plants in gardens, the result is a stain that interrupts the harmony of the landscape and an incult sampling.

© Alice Jankovic - Image from the Spaesaggio photography project
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At what point did it become more normal to consider the idea of a green wall rather than a facade surrounded by climbing plants? We must learn to have a constant dialogue with nature, and accept its constant change.

© Alice Jankovic - Image from the Spaesaggio photography project
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The patches that are created in the landscape are significant because they represent an uncultivated area. It is the place where the experience of disorientation approaches other spaces or counter spaces, where the formless is disciplined and brought back

© Alice Jankovic - Image from the Spaesaggio photography project
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This synchrony between man and nature represents an opportunity to rediscover a profound bond, an essence free from the limitations of training and restrictions.

© Alice Jankovic - Image from the Spaesaggio photography project
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The garden is conceived as a space born from the harmonious communication between man and nature, as Gilles Clement stated, "the garden gives life to the gardener, not the other way around".

© Alice Jankovic - Image from the Spaesaggio photography project
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Are we the weed? Weed, which has always been fought by justifying this action with maintenance. Gilles Clèment's book "Brief history of the garden" will be inserted above the photograph with connections and underlining as a connection between words.

© Alice Jankovic - Image from the Spaesaggio photography project
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Our body has fallen asleep, we have lost contact with the earth and plants, pruning trees and eradicating weeds are actions that can gain confidence and reawaken the dormant senses of our ecological conscience.

© Alice Jankovic - Similitudes
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Similitudes

© Alice Jankovic - Image from the Spaesaggio photography project
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The myth of Apollo and Daphne narrates "the god thrusts the leaden arrow into the heart of Daphne, with the golden arrow he wounds the heart of Apollo: one immediately loves, the other flees whoever loves her."

© Alice Jankovic - Image from the Spaesaggio photography project
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Cyanotype prints Indigofera, Isatis, Marsdenia. The indigo-dyed daphne dress that comes from these plants that are not blue in color, thanks to this science of metamorphosis in the art of metamorphosis, the color of the dress was able to remain unchanged.

© Alice Jankovic - Image from the Spaesaggio photography project
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In Pollaiolo's work, metamorphosis can be compared to the search for plant molecules, Apollo is the researcher, while Daphne is a glycoside. Apollo chases the desired subject to extract it. Daphne, struck by the arrow, flees and changes her form.

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