Residual Noise

Residual Noise concludes a trilogy born from my father’s passing. Following White Knight and Gradient Loss, this series turns inward, embracing high ISO, grain, and static.

Created entirely in-camera, without post-production or artificial manipulation, Residual Noise confronts the lingering static of grief after my father’s passing. By pushing my camera to its highest ISO, I embraced grain, distortion, and imperfections as metaphors for memory loss, absence, and the residue of analogue processes. The result is a series that is both deeply personal and formally experimental—an exploration of how photography itself can embody mourning.