Reclaiming the Muse

  • Dates
    2018 - Ongoing
  • Author
  • Location Portland, United States

In my staged miniature photography series, RECLAIMING THE MUSE, I examine familiar muses from past artworks, stories, and myths, setting them in contemporary scenes to reframe them from passive objects of beauty or scorn to active and powerful heroines.

In my series, RECLAIMING THE MUSE, I reframe historic artworks and stories in contemporary terms to challenge the dominant doctrine of the patriarchal culture through an intersectional feminist lens. When centering women, historically cast as objects of beauty or scorn, I aim to revitalize the muse with agency, furthering the issues important to me as a contemporary female artist in my contemporary Western society. I also challenge narrow views of sexuality which operate to oppress and limit the broad nature of identity, self-expression and attraction. My muses flip the script, taking back their power to tell their own stories.

With a deceptively playful overlay, I explore mythos, identity, gender roles, and empowerment.  Although I never depict actual people in my photographs, the human psyche is undeniably at the center of my work. I am fascinated by the psychological landscape, our search for meaning and the contradictions of human existence. So many stories, myths and artworks throughout history address these same concerns. I have found much rich source material to inspire my own interpretations for this series.

Of course, creating variations and reinterpretations of past tales and depictions is not a novel idea, but rather an age-old tradition, practiced throughout art history. There is a rich well to draw upon from historical representations. Many of the old tales are fiction, and it is far past time for the retelling.

© Grace Weston - If Sisyphus Had Friends
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If Sisyphus Had Friends

© Grace Weston - Divine Intervention (after Michelangelo)
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Divine Intervention (after Michelangelo)

© Grace Weston - Venus and The Pill (after Botticelli)
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Venus and The Pill (after Botticelli)

© Grace Weston - A Modern Family Portrait (after Van Eyck)
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A Modern Family Portrait (after Van Eyck)

© Grace Weston - Susanna and the Elders
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Susanna and the Elders

© Grace Weston - Ophelia's in a Fix (after Millais)
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Ophelia's in a Fix (after Millais)

© Grace Weston - Judy and Holofernes (after biblical story of Judith slaying Holofernes, the would-be rapist and pillager of her village)
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Judy and Holofernes (after biblical story of Judith slaying Holofernes, the would-be rapist and pillager of her village)

© Grace Weston - No means No (Leda and the Swan)
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No means No (Leda and the Swan)

© Grace Weston - Night Mère (after Fuselli's Nightmare)
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Night Mère (after Fuselli's Nightmare)

© Grace Weston - Three Graces
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Three Graces

© Grace Weston - Ceci N'est Pas un Homme (after Magritte's Son of Man)
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Ceci N'est Pas un Homme (after Magritte's Son of Man)

© Grace Weston - Medusa's Vanity
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Medusa's Vanity

© Grace Weston - The Bird (after Jacques-Louis David's Napoleon Crossing the Alps)
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The Bird (after Jacques-Louis David's Napoleon Crossing the Alps)

© Grace Weston - Imogen in the Wild (after Dater)
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Imogen in the Wild (after Dater)

© Grace Weston - Mother's Day (after Kertesz's Satiric Dancer)
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Mother's Day (after Kertesz's Satiric Dancer)

© Grace Weston - La Femme Plastique (after Courbet)
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La Femme Plastique (after Courbet)

© Grace Weston - L'Homme Plastique (after Courbet)
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L'Homme Plastique (after Courbet)

© Grace Weston - House of Atlas
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House of Atlas

© Grace Weston - Colossa
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Colossa