Lois & Carey

  • Dates
    2024 - 2025
  • Author
  • Locations London, United Kingdom

"Lois & Carey" is a photographic series that explores the intimate, intergenerational relationship between a daughter and her mother, both Jewish artists living in London, Set entirely within the walls of their home.

"Lois & Carey" is a photographic series and a photobook that explores the intimate, intergenerational relationship between Lois and Carey, a daughter and her mother, both Jewish artists living in London. Set entirely within the walls of their home, the project is a nuanced portrait of familial closeness, personal expression, and the unspoken tensions that shape lifelong bonds. In capturing the microcosm of one family, it speaks to broader truths about womanhood, queerness, aging, and the quiet revolutions that happen within the home.

At its core, the work is about the complex dance between mothers and daughters - how identity is inherited, resisted, and reinvented. The tension between queerness and family legacy is treated not as conflict, but as coexistence - messy, honest, and real.

In "Lois & Carey" the home is more than a setting - it is a living canvas. Mother and daughter weave their worlds together through brushstrokes and pencil lines, sketches, birds and tattoos, each mark a whisper of memory, a fragment of feeling. Their art spills across walls and tables, into the corners of rooms, folding daily life into a quiet, intimate performance.

You're invited to feel rather than to analyze, to absorb the texture of a relationship - rather than define it.

A poem by Emily Dickinson which is quoted in the book "Lois & Carey" -

“Hope” is the thing with feathers,

That perches in the soul ,

And sings the tune without the words,

And never stops - at all .

And sweetest, in the Gale, is heard,

And sore must be the storm,

That could abash the little Bird,

That kept so many warm.

I’ve heard it in the chillest land,

And on the strangest Sea,

Yet, never in Extremity,

It asked a crumb of me.

© Fotómetro - Lois and her mother Carey wearing their home-made clay masks, while also wearing the same dress, lying on Carey's bed.
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Lois and her mother Carey wearing their home-made clay masks, while also wearing the same dress, lying on Carey's bed.

© Fotómetro - Lois's Menorah on her window, in her home studio.
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Lois's Menorah on her window, in her home studio.

© Fotómetro - Carey in her garden, with her home-made crow doll.
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Carey in her garden, with her home-made crow doll.

© Fotómetro - Image from the Lois & Carey photography project
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Lois playing dress-up in her room, while wearing Jewish Tefilin and yarmulke, traditionally worn by men, together with her father's shirt.

© Fotómetro - Lois tattooing her mother Carey, in her home studio, using a hand-poke technique.
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Lois tattooing her mother Carey, in her home studio, using a hand-poke technique.

© Fotómetro - Lois wearing her hat on her dog Zelda, in the house's stairway.
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Lois wearing her hat on her dog Zelda, in the house's stairway.

© Fotómetro - Lois lying on Carey's lap in the living room.
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Lois lying on Carey's lap in the living room.

© Fotómetro - Image from the Lois & Carey photography project
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The stairway wall is covered with an animal pattern, hand-drawn by Carey during the Covid-19 lockdowns. At the center hangs a collage made by Lois, featuring a photograph of a Jewish rabbi posing next to a bodybuilder, onto which she has drawn tattoos.

© Fotómetro - Carey watering the plants in the garden while Lois is posing nude to the camera.
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Carey watering the plants in the garden while Lois is posing nude to the camera.

© Fotómetro - Lois and her home-made doll Lilith, in her mother's bathtub.
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Lois and her home-made doll Lilith, in her mother's bathtub.

© Fotómetro - Image from the Lois & Carey photography project
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Portrait of the family: Roger (Lois’s father and Carey’s husband), Spencer (Lois’s older brother), together with Lois and Carey - gathered in the living room, all wearing the paper crowns they made in childhood and brought out every Hanukkah and Christmas.

© Fotómetro - Image from the Lois & Carey photography project
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Carey feeding a chicken heart to a crow, as she's doing every morning, where crows gather around her in the garden, waiting for their chicken hearts.

© Fotómetro - Lois's old childhood room, stays untouched, like a gate to the past.
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Lois's old childhood room, stays untouched, like a gate to the past.

© Fotómetro - Image from the Lois & Carey photography project
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In a bathtub evoking the mikveh, Lois enacted a needle-piercing ceremony.Eighteen needles - ten in the chest, eight in the head - marked, in gematria, the number 18,which is the sacred value of the Hebrew word “חי” (alive).As they were removed, blood streamed down her body and face, seeping into a cloth drawing of a horned Jewish woman she made, and fusing image, ritual, and flesh.

© Fotómetro - Image from the Lois & Carey photography project
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Old family photos laying on the living room's carpet, connected by a thread from Lois's doll which acts like a memory connecting the past and the present.

© Fotómetro - Carey in the garden, embracing the sun on her body, on a summer afternoon, seen from the window of her living room.
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Carey in the garden, embracing the sun on her body, on a summer afternoon, seen from the window of her living room.

© Fotómetro - Lois practicing 'Shibari' (self-tie) in her mother's bathroom.
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Lois practicing 'Shibari' (self-tie) in her mother's bathroom.

© Fotómetro - Image from the Lois & Carey photography project
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Lois and her mother Carey, before Shabbat dinner.Lois is wearing her latex mask and her latex body suit with the Jewish star, while Carey is drawing on the dinner table.

© Fotómetro - Image from the Lois & Carey photography project
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Lois’s drawing of a horned Jewish caricature hangs to dry in blood in her parents’ bathtub after the needle piercing session.

© Fotómetro - "Hope" is the thing with feathers.
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"Hope" is the thing with feathers.

Lois & Carey by Fotómetro

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