Like Mother, Like Daughter

Like Mother, Like Daughter is a photographic project that examines gendered generational obligations stemming from domesticity, and aims to counter the self-erasure and dismissal of “women’s work” within my family.

My mother, grandmother, and great-grandmother have left literal and metaphorical scars in our family archive. These collections of photos document their struggles in wanting to be seen and appreciated for the intensive domestic labor they participated in while also displaying palpable trauma from the rejection and dismissal of their accomplishments. These women have spent countless hours and an unquantifiable amount of energy devoted to creating beautiful things. However, they also scratched themselves out of color slides, violently purged their images from family portraits with scissors in hand, and continuously turned their backs to the camera. My work emerges from their desires to both create and destroy. In Like Mother, Like Daughter, I combine photography, specifically self-portraiture and images from my family archive, with installation and craft to create a feminist body of work that simultaneously recognizes my matrilineage and elevates domestic work to contemporary art. This project is about love and anger and the transfer of these sentiments through generations of women. It is ultimately a memorial to the thousands of hours of labor never recognized and a jeremiad against patriarchal judgments that condemned and consigned these efforts for far too long. 

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Turn Around, 2023, 43” x 34", Pigment Print, Vintage wall paper. This is an installation image of a framed self portrait, engaged in my mothers tactics to avoid being photographed, placed on top of a panel covered in vintage wallpaper.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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375º, 2022, 18” x 23” x 4”Pigment Print, Found oven door. This is an installation image of a pie viewed through the dirty glass of a vintage oven door.

© Lauren Bertelson - Untitled (Cherry Pie II), 2023, 40” x 60”, 
Pigment print, Self portrait holding a homemade pie.
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Untitled (Cherry Pie II), 2023, 40” x 60”, 
Pigment print, Self portrait holding a homemade pie.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Untitled (Latice Crust), 2023 25x30”, Pigment print. Family photograph of my grandmother with a lattice piecrust, made using her recipe, over top.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Mary (Scars), 2022, 30” x 40”, Pigment print on cotton, cotton thread. This is an image from a color slide found in my family archive where my grandmother scratched herself out. I embroidered over these scratches to mimic a freshly healed scar and call attention to the violence of the action.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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May (Oh My Kenny), 2022, 4.25” x 3”, Silver gelatin print, needlepoint canvas, cotton thread. The image in this work is a discarded photograph from my great grandmother’s scrapbooks. She is the one pictured. Beneath this is a small needlepointed piece reading My Kenny. Kenny is my grandfather and her only child which consumed her world.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Just a Trim I, 2023, 40”x 30”, Pigment print. Just a Trim I is a self-portrait performing as my great grandmother and cutting her image out of our family images just as she did.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Just a Trim II, 2023, 40”x 30, Pigment print. Installation view of Just a Trim II: an imagined image from my family’s archive. This image was printed and torn. It is meant to be viewed as an enlarged photo found

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Diane II, 2023, 32” x 62”, Pigment print, calico fabric. Installation view of an enlarged family photograph of my mother hidden behind stretched and torn calico fabric

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Betty I, 2022, Pigment print, gelatin, mold, 24” x 19” x 2”.Installation view of a photograph of Betty Crocker’s portrait on the back of a cookbook, printed on paper and then placed inside of a frame with a semi-stabilized version of gelatin. Over time the gelatin molds and eats away at Betty’s image.

© Lauren Bertelson - Preserves 4, 2023, 30” x 30”, Pigment print. Preserves 4 is a photograph of a family photograph suspended in peach jam.
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Preserves 4, 2023, 30” x 30”, Pigment print. Preserves 4 is a photograph of a family photograph suspended in peach jam.

© Lauren Bertelson - On Being Photographed I, 2022, Pigment print, 40”x60”. Self portrait mocking the camera.
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On Being Photographed I, 2022, Pigment print, 40”x60”. Self portrait mocking the camera.

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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On Being Photographed II, 2023, Pigment print, 20”x30. Archive photograph of my mother mocking the camera to avoid being photographed.

© Lauren Bertelson - Diane I, 2022, 20” x 30”, Pigment print. Manipulated archive photo of my mother as a young girl.
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Diane I, 2022, 20” x 30”, Pigment print. Manipulated archive photo of my mother as a young girl.

© Lauren Bertelson - Lauren, 2022, 30" x 40", Pigment print
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Lauren, 2022, 30" x 40", Pigment print

© Lauren Bertelson - Image from the Like Mother, Like Daughter photography project
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Untitled (Tablecloth), 2023, 41” x 42”, Pigment print, tablecloth. Printed self portrait of the lower portion of my body turning away from the camera, covered by gathered lace fabric.

Like Mother, Like Daughter by Lauren Bertelson

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