Intervals

Between light and shadow, color reveals what a hurried gaze cannot see: a fragmented city where distance unveils hidden connections.

The city often presents itself as a continuous surface, but my images are drawn to the moments when that continuity breaks. I photograph urban space as a sequence of autonomous scenes: fragments where human presence, colour, light and architecture coexist without fully merging.

Taken across Buenos Aires, London and Paris, the images do not seek to describe these cities as places, but to reveal a recurring structure of perception. What persists beyond geography is a way of seeing: an attention to bodies, shadows, surfaces and gestures that appear suspended within the urban flow.

Colour and light are not secondary elements in this work; they are the forces that organise the image. They divide space, isolate presences, create rhythm and open relationships between different planes. Through them, the everyday becomes less a document than a field of visual tension.

The project reads the city as a constellation of independent scenes. Each photograph holds its own silence, but together they form a quiet system of correspondences: fragments that remain separate while still affecting one another.

Rather than trying to restore unity to what is fragmented, the series stays within that distance. It observes what becomes visible when separation is not resolved: subtle connections, unstable balances, and intervals where the city stops being read as a whole and begins to reveal the hidden structure of perception.