Grains of Silence
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Dates2023 - 2025
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Author
- Topics Contemporary Issues, Daily Life, Nature & Environment, Social Issues, Street Photography
- Locations Tallinn, Narva
Beyond the exploration of rhythm and grain, these fifteen frames touch upon themes of memory, history, and the contrasts embedded in urban life.
This project brings together frames shot between 2023 and 2025. Two years ago, I decided to try capturing street scenes on film. I experimented with Kodak, Fomapan, and Kentmere, but the film I truly connected with turned out to be Ilford. And even in switching to analog, I never stepped away from black-and-white photography - a choice deeply tied to my passion for developing film at home. I’m not ready yet to process color film on my own, as it is more complex and requires a certain skill set. But with black-and-white, I’ve already managed to reach a level of confidence and success.
Beyond the technical side, these 15 frames touch upon themes of memory, history, and the contrasts embedded in urban life. From children marching at a Victory Parade to quiet moments in cemeteries, from symbolic juxtapositions of skulls and religious domes to the silent geometry of streets and buildings, the series reflects on how public rituals, architecture, and everyday scenes carry traces of the past into the present. What interests me is the dialogue between intimacy and collectivity, between personal observation and shared cultural symbols.
It was exactly this search for rhythm, meaning, and atmosphere that led me deeper into the world of analog. During this short period, I was fortunate to work with three different Ilford stocks: Delta 100, XP2 Super, and Delta 3200 Professional. Each of them allowed me to explore how grain can shape emotional street narratives. I believe, and almost physically sense, that film brings a unique rhythm to my images. This project is my way of telling a story about that rhythm and its ability to convey intimacy, mystery, and the unexpected. For each photograph, I specify which type of Ilford black-and-white film was used. Each of these three stocks carries its own mood, its own tonal range, its own interplay of light and shadow.