Girls In Memory

My project explores girlhood in rural Uzbekistan through the lives of the sisters Sevara and Nozima & their younger cousins. Set in a village it looks at growing up between personal dreams and expectations surrounding femininity, family and marriage.

Youth is an uncertain phase of life – it contributes to how we see and understand the world. Above all, however, it is a time of upheavals and transitions that lays the foundations for the formation of identity. The extent to which this significant phase of life is successfully navigated depends on many factors; for example, on different living conditions and the social circumstances that come with them.

In Uzbekistan, social change has been noticeable for several years. Nevertheless, the lives of women, particularly in rural regions, continue to be shaped by patriarchal structures. These structures are already embedded in a girl’s everyday life from a young age and influence how adolescence is experienced and shaped.

In a village near Samarkand, the two sisters Sevara and Nozima live. Together with their cousins, who are somewhat younger, they form a kind of microcosm that unfolds between the fields and the blue walls of their families’ homes. The photographs accompany these sisters and cousins in their everyday playful forms. Birthdays, work, clothes, and emotional bonds are shared – and only rarely the privilege of being alone: when one’s own name is not being called and a precious moment of retreat can emerge.

This openness within their own world is simultaneously confronted with a future that is shaped from an early age by ideas about femininity, marriage, and family. Every day of youth seems to prepare them at the same time for its end – for the day of the wedding.

The photographs do not attempt to determine what this future means for the girls. Instead, they remain close to the ambivalence of youth – to a phase of life in which so much is still being explored, while certain expectations are already taking shape. Through portraiture and observation, the series asks what it means to be young when adulthood already appears so concrete. When the right to freely choose one’s own path in life is increasingly restricted.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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In the living room hangs the tapestry depicting the portrait of the grandfather. It is the first thing you see when you enter. The tapestry depicting the grandmother’s portrait hangs next to the door.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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It's Nafiza's Birthday. Nafiza is the younger cousin. The girls are gathered in the living room. Whilst Nafiza plays with the new hair accessory she has been given as a present, Sevara prepares an injection for her grandmother.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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Sevara tries on her favorite dress, when her parents are not home. When they are not there, she can relax and do things she enjoys.

© Karla-Elisabeth Oder - Sevara climbs a small hill scattered with fragments of old, broken mosaic and broken pottery, searching among the remnants.
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Sevara climbs a small hill scattered with fragments of old, broken mosaic and broken pottery, searching among the remnants.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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The eldest cousin got married a year ago. Nozima is even younger but is looking forward to her wedding with great anticipation. The pomegranate has significant symbolic meaning in Uzbekistan and represents fertility and feminine strength.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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Family gatherings often take place, which means a lot of work for the young girls, as they are responsible for preparing the meals and making tea. Here, Nozima had a few minutes to herself and was reading on her mobile, whilst her hand assumed an unconscious position.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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Renovation work is underway at her grandparent's house. There are tools lying about everywhere, which won't be used once the sun goes down. Nafiza notices that her fingernails are the same color as the carpet on which the axe is lying.

© Karla-Elisabeth Oder - Sevara takes off the wedding dress. She poses in her slip dress.
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Sevara takes off the wedding dress. She poses in her slip dress.

© Karla-Elisabeth Oder - The cousins show their favorite plant.
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The cousins show their favorite plant.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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The family's cow is sometimes very fast. The lead slipped out of Nozipa's hand, whereupon the cow ran off for a short while. Nozima is exhausted because she had to catch her.

© Karla-Elisabeth Oder - It's Sevara's Birthday and the cousins visited her in the late evening. A chocolate cake is being shared.
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It's Sevara's Birthday and the cousins visited her in the late evening. A chocolate cake is being shared.

© Karla-Elisabeth Oder - Nozima zones off while eating an apple in her cousins bright kitchen.
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Nozima zones off while eating an apple in her cousins bright kitchen.

© Karla-Elisabeth Oder - Image from the Girls In Memory photography project
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Nozima looks out of the window early in the morning before she leaves for work. She usually doesn't wear a headscarf but this day it was rather chilly and she has to walk for a while to arrive at her workplace.

Girls In Memory by Karla-Elisabeth Oder

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