Genesis

Inspired by stories from her religious life and deconversion, Olivia Phare provides a deeply personal look into a 30 year cultural shift in America

In 1990, 90% of Americans identified as Christian, yet in the last three decades more than 20% of them have left the church (Pew Research Center, '22). I am one of them. My father started a non-denominational congregation when I was nine years old. Hardline evangelicals, we were politically conservative biblical literalists, backed by a community of believers, ranging from our accountant, to my ballet teacher, to even our handyman. Everyone around me was devoted to my father; he was their primary spiritual authority, and he was mine too -- until I left.

Losing faith and exiting this cult-like community was surreal and exquisitely painful. It was like slipping between worlds; shifting dimensions into a universe where the rules of my reality became a liability. There, I had to grapple with the breadth of my own miseducation in context with the devastating realities of Christian imperialism. I had believed “real” love, compassion, or selflessness could not exist outside the walls built by my family and our community. However, the opposite turned out to be true: liberation and loving community emerged abundantly with the each and every surrender of my former theological & political beliefs.

Genesis, as you probably know, is a book of origins. The foundations of and connections between the origins of my unbelief, the Biblical myth, and my familial myths is where I find my Genesis. It is the nexus between the beliefs we held sacred and their inevitable collapse.

This project is a candidate for PhMuseum 2023 Women Photographers Grant

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© Olivia Phare - Quiverfull, 2020 // Digital Collage
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Quiverfull, 2020 // Digital Collage

© Olivia Phare - Tree of Knowledge, 2022 // 4x5 Film Photograph (composite of 5)
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Tree of Knowledge, 2022 // 4x5 Film Photograph (composite of 5)

© Olivia Phare - One Nation, 2021 // 4x5 Film Photograph
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One Nation, 2021 // 4x5 Film Photograph

© Olivia Phare - Origins, 2022 // 4x5 Film Photograph
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Origins, 2022 // 4x5 Film Photograph

© Olivia Phare - Eve, 2021 // 4x5 Film Photograph
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Eve, 2021 // 4x5 Film Photograph

© Olivia Phare - Is It Still True (If It Didn't Happen)) // Digital Collage
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Is It Still True (If It Didn't Happen)) // Digital Collage

© Olivia Phare - Baphomet, 2022 // 4x5 Film Photograph
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Baphomet, 2022 // 4x5 Film Photograph

© Olivia Phare - Bite, 2018 // Digital Photograph
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Bite, 2018 // Digital Photograph

© Olivia Phare - Communion, 2022 // 4x5 Film Photograph
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Communion, 2022 // 4x5 Film Photograph

© Olivia Phare - Rapture, 2022 // Altered photo from the artist's personal archive.
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Rapture, 2022 // Altered photo from the artist's personal archive.

© Olivia Phare - Buck Short, 2021 // 35 mm Film Photograph
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Buck Short, 2021 // 35 mm Film Photograph

© Olivia Phare - Ark, 2021 // 4x5 Film Photograph
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Ark, 2021 // 4x5 Film Photograph

© Olivia Phare - Jephtha’s Daughter, 2021 // 4x5 Film Photograph
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Jephtha’s Daughter, 2021 // 4x5 Film Photograph

© Olivia Phare - Blood Shot, 2019 // Digital Photograph
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Blood Shot, 2019 // Digital Photograph

© Olivia Phare - Midas, 2022 // 4x5 Film Photograph
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Midas, 2022 // 4x5 Film Photograph

© Olivia Phare - A Bodiless Dream, 2022 // 4x5 Film Photograph
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A Bodiless Dream, 2022 // 4x5 Film Photograph

© Olivia Phare - Apostate, 2022 // 4x5 Film Photograph
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Apostate, 2022 // 4x5 Film Photograph

© Olivia Phare - Brutus, 2022 // 4x5 Film Photograph
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Brutus, 2022 // 4x5 Film Photograph

© Olivia Phare - Renunciation, 2022 // 4x5 Film Photograph
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Renunciation, 2022 // 4x5 Film Photograph

© Olivia Phare - Apple Tree In Bloom, 2020 // 4x5 Film Photograph
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Apple Tree In Bloom, 2020 // 4x5 Film Photograph

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