FAIL DEADLY

  • Dates
    2015 - 2017
  • Author
  • Topics Landscape, Social Issues, Fine Art
  • Location South Africa, South Africa

Fail Deadly is set against the history of South Africa’s clandestine nuclear weapons program during apartheid.

Fail Deadly is set against the history of South Africa’s clandestine nuclear weapons program during apartheid. In the 1970’s and 80’s South Africa built six atom bombs in seemingly complete secrecy. As the apartheid system crumbled the program was swiftly disbanded before the advent of democracy. Incorporating strategies which include photojournalism, image appropriation, landscape and aerial photography as well as archival practises, I construct a narrative that allows me to reflect upon and re-contextualize this transitory piece of history.

The cornerstone of this project, entitled The Pelindaba Collection, consists of more than 900 pages of declassified documents from various sources including The Woodrow Wilson International Centre for Scholars, located in Washington, D.C., The South African History Archive, located in Johannesburg as well as N.S.A., C.I.A. and internal government communications I obtained through the Freedom of Information Act. Large sections within these documents have been redacted, which led to the creation of various photo based works including the Black Landscapes and Holepunch series. By the use of absence, omission and cover-ups I reflect on the Foucauldian notion of how the history of landscape is also the history of power, and notwithstanding the failure of apartheid, have had a lasting effect on our moral as well as physical landscape.

By using my country of birth as the nexus for speaking to concerns of the psychology of power and the validity of memory relative to history, I hope to contribute to a post-colonial critique which also allows me to reflect on my own identity within South African historicism.

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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Cipher #1, Kalahari Desert, Archival Pigment Ink Print on Cotton Paper, 100 x 105 cm, 2016. Made in Collaboration with the Department of Land Affairs, South Africa.

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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Building 5100, Pelindaba*, Archival Pigment Ink Print on Cotton Paper, 80 x 100 cm, 2015. (*a Zulu word that means "end of story").

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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Hole Punch #1, Archival Pigment Ink Print on Cotton Paper, 45 x 56 cm, 2017. The Hole Punch series consists of a series images made at the sites where there use to be nuclear weapons facilities. Large sections of the film negatives have been removed with a hole punch creating large back squares which cover most of the image. These images speak to the lack of information on this secret program as well as the limitations of photography.

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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The Circle Facility A.K.A. Ararat A.K.A. Valindaba*, Archival Pigment Ink Print on Cotton Paper, 30 x 30 cm , 2016. (*Zulu word that means "about this we do not speak at all"). Made in Collaboration with the Department of Land Affairs, South Africa.

© Vincent Bezuidenhout - Untitled (Pelindaba), Archival Pigment Ink Print on Cotton Paper, 30 x 40 cm, 2016.
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Untitled (Pelindaba), Archival Pigment Ink Print on Cotton Paper, 30 x 40 cm, 2016.

© Vincent Bezuidenhout - Hole Punch #2, Archival Pigment Ink Print on Cotton Paper, 45 x 56 cm, 2016.
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Hole Punch #2, Archival Pigment Ink Print on Cotton Paper, 45 x 56 cm, 2016.

© Vincent Bezuidenhout - An Interview with Mungo Poore, C-Print, 4 x 6 cm, 2016.
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An Interview with Mungo Poore, C-Print, 4 x 6 cm, 2016.

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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Black Landscape #1, Archival Pigment Ink Print on Cotton Paper, 80 x 100 cm. The Black Landscape series consist of landscape photographs made using a self-developed inkjet printing technique of printing black, redacted documents over landscapes I made at various locations where there use to be nuclear weapons facilities. The technique renders a redacted landscape, in negative, the detail of which can only be seen in certain lighting conditions.

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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The Pelindaba Collection, 900 pages of declassified C.I.A and N.S.A Documents , A4 copy paper, 2016. 900 pages of declassified documents from various sources including The Woodrow Wilson International Center for Scholars, located in Washington, D.C., The South African History Archive, located in Johannesburg as well as N.S.A., C.I.A. and internal government communications I obtained through the Freedom of Information Act. These documents cover a period of twenty-five years of South African nuclear policy, from early uranium supply arrangements under the United States-South Africa Atomic Energy Bilateral to the South African response to the September 1979 Vela incident. Large sections within these documents have been redacted.

© Vincent Bezuidenhout - Hole Punch #3, Archival Pigment Ink Print on Cotton Paper, 45 x 65 cm, 2017
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Hole Punch #3, Archival Pigment Ink Print on Cotton Paper, 45 x 65 cm, 2017

© Vincent Bezuidenhout - Untitled, Archival Pigment Ink Print on Cotton Paper, 30 x 30 cm, 2016.
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Untitled, Archival Pigment Ink Print on Cotton Paper, 30 x 30 cm, 2016.

© Vincent Bezuidenhout - Image from the FAIL DEADLY photography project
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Injury Noted, after Peter Magubane. Pigment Ink Print on Newsprint, 21x 12 x 16 inches, 2016. Part of the appropriated documentation of an intervention staged at the Mid-Manhattan Library Picture Collection, 2014. Declassified but redacted documents about South Africa's Nuclear Weapons Program where anonymously inserted into relevant folders in the collection.

© Vincent Bezuidenhout - . Die Groot Krokodil (The Big Crocodile), Archival Pigment Ink Print on Cotton Paper, 60 x 80 cm, 2016.
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. Die Groot Krokodil (The Big Crocodile), Archival Pigment Ink Print on Cotton Paper, 60 x 80 cm, 2016.

© Vincent Bezuidenhout - Vastrap Ballistic Bombing Range, Kalahari Desert , Archival Pigment Ink Print on Cotton Paper, 80 x 100 cm, 2016.
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Vastrap Ballistic Bombing Range, Kalahari Desert , Archival Pigment Ink Print on Cotton Paper, 80 x 100 cm, 2016.

© Vincent Bezuidenhout - Criticality Facility, Pelindaba, Archival Pigment Ink Print on Cotton Paper, 80 x 120 cm, 2016.
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Criticality Facility, Pelindaba, Archival Pigment Ink Print on Cotton Paper, 80 x 120 cm, 2016.

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