Every Time They Ask, We Say We’re Waiting
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Dates2022 - Ongoing
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Author
- Location United Kingdom, United Kingdom
Every Time They Ask, We Say We’re Waiting documents the lives of Hong Kong asylum seekers in the UK, using a pinhole camera made from a suitcase. It sheds light on their overlooked stories through portraits, personal belongings, and memories of Hong Kong.
"Every Time They Ask, We Say We're Waiting" focuses on Hong Kong asylum seekers awaiting their refugee status in the UK. These young individuals, aged 15-24, grew up amidst HK’s significant mass movements but are ineligible for the BNO visa due to being born after HK's 1997 handover, forcing them to seek asylum in the UK. Under the Beijing-imposed security law, HK news outlets avoid covering their stories leaving many Hongkongers unaware of this issue. While photography plays a crucial role in this project, it represents just one aspect of its storytelling. The primary objective of this project is to challenge conventional, stereotypical asylum seeker representations that heavily rely on the perspective of photojournalists. Instead, this project aims to empower these young individuals by giving them the opportunity to represent their own experiences through art.
Instead of aiming for neutrality, this project acknowledges the shared background and the interpersonal relationship between the photographer and the subjects. Both the photographer and the subjects are new immigrants in the UK after the protests in Hong Kong in 2019-2020, although they have been impacted to varying degrees. This shared background and connection to their homeland establishes trust as the foundation for this project.
The Hong Kong asylum seekers featured in this project is also a group of individuals who have a deep attachment to their homeland. Growing up, the pivotal moments of their lives have been profoundly influenced by Hong Kong's protest history, including large-scale protests that happened in 2003, 2012, 2014, and 2019. As young individuals born after the handover in 1997, their lives are constantly affected by unresolved historical matters between two sovereign states. The project seeks to shed light on this particular group of asylum seekers who, due to their unique circumstances, was forced to leave their homeland at a young age, and face obstacles in pursuing education and adapting to the former sovereign state of Hong Kong.
I carried out the project in the following ways:
I utilised a transformed HK suitcase as a pinhole camera to capture asylum seekers' portraits and personal items.
I provided each asylum seeker with a disposable film camera to document their new daily lives.
I conducted personal interviews with them, and invited them to (i) draw their HK family home from memory, (ii) describe their daily routine in the UK, and (iii) answer 10 questions about their journey from HK to the UK.