Domestic Geometry of the Unresolved

A gaze toward what remains: the dirty, the drained, the unresolved. Between cycles, geometries, and protocols of care, the image insists on immediate chaos as a form of survival.

There is a persistent inclination to look downward.
Toward what remains: the dirty plate, what has been spilled, what has yet to be resolved.

The images are constructed from the immediate, from what is at hand, within a domestic state where the gaze does not seek order, but chooses to dwell on disorder, on what is undone, on what lingers after. It is not that these scenes did not exist in another state; rather, the camera activates at the moment they have already lost form, when balance has been broken.

Traces of regulation appear: medication, meditation apps, supplements. Protocols to sustain the body. But there is also an insistent materiality: the red, the drained, what circulates or is lost. Food, in its failed attempt to be healthy, becomes another register of that passage.

In parallel, there is a search for formal containment: the round, the cyclical, shifting toward the square—structures that attempt to organize chaos without cancelling it.

This series does not document disorder as neglect, but as a position. A place where the gaze chooses to remain, not out of inertia, but as a way of moving through a state.

To photograph here is a way of moving through what cannot be fully understood, and of elevating that moment, turning it into an exact image that endures, constant, forever.