Dark & Lovely

  • Dates
    2020 - Ongoing
  • Author
  • Topics Portrait, Contemporary Issues, Fine Art
  • Location City of London, United Kingdom

Named after the haircare brand Dark & Lovely, this series of works explores the notion of the ‘Black aesthetics’ and respectability politics.

To have ‘good hair’ when I was growing up was to have long straight hair. Therefore, when I went natural a few years ago, meaning that I stopped chemically straightening my hair I noticed a shift in the way I was regarded by others. Hair is gendered and like the black body is political. I am interested in the materiality and manipulation of hair. In going natural I was reintroduced to myself, I become fascinated with the hair that grows out of my scalp. A nappy head full of kinks and coils. The images in the collection ‘Dark & Lovely’, named after the popular haircare brand, explores the notion of the ‘Black aesthetics’ and respectability politics; drawing on a shared memory of assimilation by people of African descent to conform to a European standard of beauty.

© Melanie Issaka - Dark & Lovely: White on Black Photogram, Silver Gelatin print, 20x25cm, 2021
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Dark & Lovely: White on Black Photogram, Silver Gelatin print, 20x25cm, 2021

© Melanie Issaka - Dark & Lovely: Black on Black Photogram, Silver Gelatin print, 20x25cm, 2021
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Dark & Lovely: Black on Black Photogram, Silver Gelatin print, 20x25cm, 2021

© Melanie Issaka - Dark and Lovely: Red Photogram, C-type print, 60x40cm, 2021
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Dark and Lovely: Red Photogram, C-type print, 60x40cm, 2021

© Melanie Issaka - Dark and Lovely: Brown Photogram, C-type print, 60x40cm, 2021
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Dark and Lovely: Brown Photogram, C-type print, 60x40cm, 2021

© Melanie Issaka - Blue Magic 1, Cyanotype on Somerset paper, 30x12cm, 2021
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Blue Magic 1, Cyanotype on Somerset paper, 30x12cm, 2021

© Melanie Issaka - Blue Magic 2, Cyanotype on Somerset paper, 20x12cm, 2021
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Blue Magic 2, Cyanotype on Somerset paper, 20x12cm, 2021