Cowboys

  • Dates
    2017 - Ongoing
  • Author
  • Location Cologne, Germany

Regardless of the place of his origin history, people all over the world feel addressed by the figure of the cowboy. In my work I examine the clichés of masculinity, trace the realities and visualize my own interpretation of theme.

As an artist I work mainly with the medium of photography. Fiction, within reality, is an ongoing theme for me. Within this boundary, I am always interested in gender roles. The theme of cowboys, which I have been working on for several years now, deals with the theme of masculinity, the stereotypes that prevail in this regard and how they are dealt with in the most diverse genres and societies. Since the figure of the cowboy is known worldwide, I have researched and photographed in various countries, such as the United States, Spain, Germany, Belgium and Poland. After the photographic process, the images are selected by me, divided into groups, pairs and individual images and edited.This results, a multi-faceted work that reflects the figure of the cowboy from many different directions.

The real cowboy was only around for a fairly short time, from about 1865 to 1880. During the Southern War, many farmers had set their cattle free as they could no longer take care of them. Those same cattle turned loose, multiplied and roamed the country in wild herds. Now the cowboys, many of them freed slaves with no land, Mexicans or Native Americans, recognized these herds as an opportunity to make money. They were starting to corral these wild herds and then sell them off. It was not until Buffalo Bill, who traveled across America and Europe with his western shows, that the figure of the cowboy became mythologically supercharged. As time went by, the cowboy gradually advanced to become one of the most popular male icons of American culture.

Regardless of where the myth of the cowboy originated, people all over the world are attracted to the iconic figure of the cowboy. And the legendary image of the cowboy, as well as the entire Western genre, is constantly being reinterpreted.

But then there are those who regard themselves as the only true descendants of the cowboys. They are farmers, cattle ranchers and professional rodeo riders in the USA.

In this work, I explore these clichés, stereotypes and realities and contribute my own interpretation on the topic.

© Ute Behrend - Young Cowboy one & Young Cowboy two
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Young Cowboy one & Young Cowboy two

© Ute Behrend - Thistle with bullet holes
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Thistle with bullet holes

© Ute Behrend - Dead Cowboy one & Dead Cowboy two
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Dead Cowboy one & Dead Cowboy two

© Ute Behrend - Praying Cowboy
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Praying Cowboy

© Ute Behrend - Pine cone & Jesse McCree
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Pine cone & Jesse McCree

© Ute Behrend - Portrait of a young woman & Cowboy central
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Portrait of a young woman & Cowboy central

© Ute Behrend - Horse-drawn carriage & Wooden birds
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Horse-drawn carriage & Wooden birds

© Ute Behrend - Rocky Mountains in Germany & German Cowboy
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Rocky Mountains in Germany & German Cowboy

© Ute Behrend - Olive tree & Wounded Cowboy
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Olive tree & Wounded Cowboy

© Ute Behrend - Wallpaper & Can-Can Girl
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Wallpaper & Can-Can Girl

© Ute Behrend - Dry plants with white fruits & Horseback with baby powder
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Dry plants with white fruits & Horseback with baby powder

© Ute Behrend - Portrait & Sunset
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Portrait & Sunset

© Ute Behrend - Jim after the death of Sharon
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Jim after the death of Sharon

© Ute Behrend - Dress-up Doll & Paper Clothes
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Dress-up Doll & Paper Clothes

© Ute Behrend - Letterbox & Barbecue
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Letterbox & Barbecue

© Ute Behrend - Cowboy without a face
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Cowboy without a face

© Ute Behrend - Cowboy with hand on Colt one & Cowboy with hand on Colt two
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Cowboy with hand on Colt one & Cowboy with hand on Colt two

© Ute Behrend - Cowboy with horse & Dry plants
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Cowboy with horse & Dry plants

© Ute Behrend - Bullet case & Àngel
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Bullet case & Àngel

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