BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE

  • Dates
    2013 - Ongoing
  • Author
  • Topics Portrait, Social Issues, Contemporary Issues
  • Location Brazil, Brazil

Obstetric Violence. A Brazilian mother-to-be will be at a higher risk than any other woman in the world of suffering emotional abuse, blackmailing by her doctor, episiotomy, kristeller maneuver and caesarean without her consent, and to be denied a partner during labour.

On April the 1st, 2014 in a small town in South Brazil, 29 year old Adelir de Souza was taken by force by police from her home in middle of the night while in labour. Police officers had been ordered by court to escort her to hospital, where a c-section was then forced upon her, with no medical reason whatsoever, when she was already 9 cm dilated.

The case mentioned above was so violent that became national news, and although not unprecedented, it helped to mobilise women in a way not seen before in the country. Women started to fight for autonomy over their bodies and the right to choose the way they want to birth. But importantly to fight against an endemic yet invisible issue in contemporary Brazil, obstetric violence.

Brazil has the highest rates of cesarean deliveries in the world: around 80 to 90 % of women in private hospitals in the country give birth via cesarean section. In some hospitals that number climbs to 99 percent. In the public health system the caesareans numbers are up to 54%, and still much higher than the World Health Organisation recommended 15%. That contrasts with just over 30 % of women in the United States and 1 in 4 women in Britain.

But Brazil is also champion in "Obstetric Violence”. At least, 1 in 4 Brazilian women suffer some sort of physical and/or emotional violence before, during and immediately after labour.

A Brazilian mother-to-be will be at a higher risk than any other woman in the world of suffering emotional abuse, blackmailing by her doctor, episiotomy and caesarean without her consent, and to be denied a partner during labour. Among other abuses are, having her wrists tied to the bed, being screamed at and having a nurse climbing on her belly to force the baby out (the dangerous kristeller maneuver). Some of this violence can lead to haemorrhaging which causes lasting damaging even removal of the womb. Often she will be separated from her baby immediately after birth, sometimes for hours with no chance of skin to skin contact, against all the recommendations and trends in relation to childbirth worldwide.

Brazilian women not only feel powerless to choose a natural vaginal labour if they wish, but they are repeatedly told by doctors that a caesarean is safer. Surgical interventions during birth save lives everyday but, for low risk pregnancies, they are 5 times more dangerous for the mothers and babies. However for the doctors they are faster, more convenient for their diaries and above all profitable. In Brazil, maternal and infant death at birth has not been decreasing like in other developing countries.

In my country of birth, to have freedom of choice and respect during labour a woman has to study the subject in depth and have enough means to pay for her own chosen medical team that will protect her from “on duty” doctors. But the majority of women still get persuaded that the safest alternative is to have an elective C-Section, sometimes as early as 36 weeks, which is convenient for doctors’ diaries and pockets.

In the private health sector these operations end up financing the state of art neonatal intensive care units which need a constant number of premature babies to treat.

The commercialisation of birth is such that private hospitals offer high tech caesareans and rooms with live streaming scenes from the operating theatre so families and guests can watch in mini cinemas or streamed to computers overseas. There are special production companies which film the procedures and even catering companies which lay on canapés and champagne for guests visiting patients in the hotel like bedrooms.

The public system is of course less luxurious but the belief that a caesarean is safer and less painful, the abuse from doctors and disregard for women’s choices can be even more shocking.

Not surprisingly this is considered by many a contemporary human rights issue. And for the first time in the history of the country the Association of Attorneys of Brazil has started to investigate serious allegations and introducing “obstetric violence” as a new legal term. But this is far from a widely debated issue despite a growing group of Brazilian women, midwives, doulas and a few doctors becoming strong campaigners against the violence that permeates the country’s birthing scene.

And the situation is likely to deteriorate as a new extreme right wing candidate is about to become our president. An extremely misogynistic individual who is expected to turn Brazil into a heavily policed state. Women are scared in so many levels.

It will most probably be forbidden to get together, talk in blogs, spread information via social media, taking to the streets in the hope of alerting people and changing this or any situation.

Having had two children in the UK I never realised how hard women in Brazil have to fight for the right of a dignified labour until living back home in 2013, when I found myself pregnant for the third time. While looking for the right alternatives for my third labour I encountered many women in the same position. I learned of their fight.

I then started “Birth Marks”. A collaborative photographic portrait project that explores the relationship of mothers and pregnant women with their bodies, an intimate register of the universal transformations and marks of motherhood in the body and in the soul. In the process of photographing these women something became obviously apparent - the trauma that many of them suffered. They cry as they touch the scars of so many stolen labours, so much physical and emotional violence have marked their experiences of birth. The project’s Facebook page has thousands of followers where I not only post some of my images but have invited women to submit their own selfies and testimonials.

This prize would allow me to go back to my birth country and this time concentrate on what I believe is currently one of the most under-reported issues of contemporary Brazil. The endemic occurrence of “obstetric violence”. With a background in photojournalism, I would be able to work in a more investigative way showing the situation in private and public hospitals. Some of my resulting images would be used by women’s groups in much need to publicise such an important cause.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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"Birth Marks“ is a participatory project that explores the universal marks of motherhood in the body and soul. It mixes portraits, rituals and personal writings. It refuses to accept the "perfect body" culture which, in Brazil, goes hand in hand with the idea that women should not sacrifice their bodies (and vaginas) for labour. In the Brazil of "perfect" bodies and record number of caesareans, obstetric violence is a contemporary human rights issue.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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In the Brazil of caesareans a woman has to fight to have a natural labour...She has to fight even more for the right of a home birth and she has to be the strongest of beings to give her baby the right to come to this world in her own pace. Anna at 42 weeks waiting for her dreamed home birth, in Ubatuba, a small coast town of Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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At the "right" time (in this case 42 weeks and 3 days) Anna caught her baby girl, Corinna, herself inside a small candlelit room. Home birth is almost clandestine. Ubatuba, Brazil candlelit room. Home birth is almost clandestine. Ubatuba, Brazil

© Leticia Valverdes - Anna and Corinna, emotional a day after their home birth. Ubatuba, Brazil
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Anna and Corinna, emotional a day after their home birth. Ubatuba, Brazil

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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“ Towards the end of my second pregnancy I tried very much to have a vaginal birth, but doctors said it was impossible to deliver twins normally after having had a cesarian section. So when I went to the hospital to have the hearts beats checked, the nurse, without hiding her fear and disapproval, called the doctor who forced me once more into a c-section." Paula with her twins, Ubatuba, Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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“My eyes are not used to look at my belly and see beauty. This sagging and this stretch marks bring me other things, it brings me my own shadows... It reminds me of my suffering, things that we usually hide, of my sad place. Every cell of our body stores marks, a register of our experiences. I believe that my labours and other processes of my life have been so painful that I couldn't let them go, I could not let things flow. Seeing the photos has normalised this shadow, has made me “process” my scarrying a bit. Gradually it is gaining affection, these emotions of deeper scars are dissolving and the shadows are becoming enlightened. And even my physical marks are disappearing." Paula and her children in Ubatuba, Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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“It's not easy to look at these pictures without judging them. Not at all, because the first thing that overwhelms is the size. Plus size for real, not those from the magazines. Hard not to look at the extra layers and think: My God, how did I have the courage to undress? And what will people think when they see it? Fear of others' judgment, fear of my own judgment...I looked at the photos once, looked twice, looked several times. And, suddenly, I did not see the size of the person. I saw only a person. I saw myself. With other eyes, actually. I remember while we were making the pictures and you (Leticia) showed me one of them, I cried. I never cry in front of people but that cry caught me off guard. It was an spontaneous cry that came because I saw beauty. I saw beauty on myself, with all my completeness, size and folds. I needed your attentive and sensitive gaze, I needed “another”. It took another woman looking at me as equal, receptive, interested in the human being who was there. And I am so proud that my daughter can perceive me like that”. Ubatuba, Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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"When I got pregnant of my daughter I knew it was a girl. I always wanted a girl. Clarissa Pinkola Estes, author of Women Who Run With the Wolves, says that personal stories are invisible tattoos that we carry. I have one the size of an elephant . And sometimes it weighs as much as a one. Yes, the scar of my forced cesareans (allegedly because I was too obese to birth despite being fully dilated) hurts and bothers me infinitely more than my 125kg. Much more, no one has any idea of how much. And I think no one can understand”. Elaine and Ana Luisa, Ubatuba, Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
i

Brazil has the world's highest rates of cesarean deliveries in the world. A Brazilian mother-to-be will be at a higher risk than any other woman in the world of suffering emotional abuse, blackmailing by her doctor, episiotomy and caesarean without her consent, and to be denied a partner during labour. She might also have her wrists tied to the bed, being screamed at and having a nurse climbing on her belly to force the baby out (the dangerous kristeller maneuver). Some of this violence can lead to haemorrhaging which causes lasting damaging even removal of the womb. Often she will be separated from her baby immediately after birth, sometimes for hours with no chance of skin to skin contact, against all the recommendations and trends in relation to childbirth worldwide. Vania, Ubatuba, Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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"With lots of reflection and help, I discovered that my problem was with my caesarean. I knew I had been robbed, I had my truth and my faith stolen.. not just me! My partner, and mostly, Davi. They instead left a scar-in my body and soul. We were innocent accomplices of a huge pain." Vania at home, in Ubatuba Brazil

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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“I am very marked by the experiences maternity have brought me. I became pregnant for the first time at 14yrs old and my first daughter was born two days after my fifteenth birthday. I lived all the consequences of being a single mother and teenager in a sexist society. I was judged in every way, victimised by some, demonised by others. I carried with me the rejection and loneliness of an unwanted pregnancy and especially the mark of the guilt I felt for not having loved my daughter from the very beginning. I suffered an unnecessary C-section and inhumane hospital care, absolutely alienating and perverse. Still in the hospital, cut and sewn, I was discouraged from breastfeeding by the nurses who said I was too young for such responsibility and, among themselves talked of the pity they felt to see a fifteen-year-old “loose” her youth in such a sad way. I never received congratulations on the birth of that little girl, she was not planned for me, she was not dreamed by my family. Twelve years have passed and during all this time, I’ve struggled to give a new meaning to my relationship with motherhood and the scar of the forced cesarean still burned in my body and soul.” Denise and 1 day old Surya

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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Now in a respectful and happy relationship, I had the opportunity to experience another pregnancy, this time carefully planned. My second daughter was born in her own time and was received with respect. With her arrival I was also reborn. And it was then that I could actually die to my past. The birth was a redemption for me, a test of my ability as a mother and woman. I'm finally a woman who accepts the marks of life.” Denise and 1 day old Surya

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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""The doctor arrived saying to make a c-section. When I told him I wanted no induction and nothing else he looked at me as if I was a freak of nature.” Carol and Lena, at home, Ubatuba Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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“The doctor said that my dilation was slow, I was 5 centimetres and he basically did not want to wait. I couldn't argue and contradict a medical opinion.” Carol and Lena, at home, Ubatuba Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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"Birth Marks“ is a participatory portrait project that explores the universal marks of motherhood in the body and soul. From the physical marks in the outside we go in the inside, the deeper emotional changes that occur once our body makes another human. I started the project while living in Brazil and unexpectedly getting pregnant. It forced me to navigate the extremely medicalised system which differs enormously from the British one, under which I had had two babies before. In the process of photographing and hearing the women that were around me something became obvious - the trauma that many of them had suffered. They cry as they touch the scars of so many stolen labours, so much physical and emotional violence have marked their experiences of birth. There is laughter and fun but sometimes underneath the skin there enormous pain and trauma. Angelica, Ubatuba, Brazil

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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"In my first pregnancy 11 years ago, not only I felt completely lonely throughout but suffered obstetric violence during birth, had a traumatic post labour, an experience so negative that I swore to myself I would NEVER gestate again. But the birth of this second child came to finally close that "wound" that still bled from time to time. Made me accept and believe on my body like never before. Currently I am studying law and I intend to be able to fight for the rights and needs of all us women who are mothers. It is extremely important that we all can empower ourselves to change the reality of birthing in Brazil.” Valeria and Murilo at home in Caçapava, Brazil.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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Some Brazilian women are uniting against obstetric violence. They are getting together, talking in blogs, spreading information and shaming violent doctors via social media.  They are also creating rituals of rite of passage, uniting in circles in the hope to give each other strength to go against the violent obstetric system that dominates the country. Ubatuba, Brazil

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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Moara, the young pregnant woman in this rite of passage ritual, gave birth a few hours after this photo was taken. She was assisted only by a doula and her own mother. "Birth Marks“ is a participatory project that explores the universal marks of motherhood in the body and soul. It mixes portraits, rituals and personal writings. Ubatuba, Brazil

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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"Giving birth at home was so empowering in so many levels. Each mark is special because each is unique as well as the learning that comes with them! I say without fear that I love the stretch marks, the responsibility, the breasts that will hurt, the personal grow, the extra pounds, the dark under the eyes..These are my marks!" Moara, a few hours after giving birth.

© Leticia Valverdes - Image from the BIRTH MARKS- OBSTETRIC VIOLENCE IN BRAZIL, A CONTEMPORARY HUMAN RIGHTS ISSUE photography project
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This is myself Leticia after giving birth to my 3rd child, the first Brazilian born. Even though I have had two previous natural labours in the UK and had no complications in my third pregnancy, I had to really fight against the doctor who wanted me to go for a c-section at 38 weeks. There were no midwives where I was leaving. I started to photograph myself and the women around me, exploring the universal marks of maternity, in our body and soul. Slowly I discovered their hidden pain and their desire to fight against endemic obstetric violence. Ubatuba, Brazil.

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