Beyond the lake
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Dates2021 - Ongoing
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Author
- Location Galicia, Spain
Beyond the Lake is a cinematic journey through Galicia, where reality and legend intertwine with depopulation and environmental challenges. Through intimate images, it explores a fragile landscape struggling to preserve its identity amid relentless change
Tony used to come home with nuts, claiming Rosemary had given them to him. But Rosemary only existed in Tony’s dreams. Adolf and Raúl’s house was set on fire while they were inside due to disputes over communal land. María spent her entire life as an emigrant, leaving her only son, Emilio, in Galicia. A few years after María returned, Emilio died from the alcoholism he had struggled with since adolescence. The wild horses of Sabucedo barely have space to roam, as the land they once roamed freely has been drastically reduced. Aceredo village was frozen in time when the Lindoso reservoir submerged it in 1992, marking the end of an era for its inhabitants.
All these stories are echoes of rural Galicia and its border with Portugal, a place where history and myth blur, caught between the richness of its traditions and the struggles of its present. Galicia now faces a paradigm shift—rural depopulation, land abandonment, and environmental degradation threaten both its people and its identity. Climate change manifests in extreme events, such as the sudden drying of reservoirs, while industrial expansion accelerates the decline. The massive replanting of eucalyptus, a non-native species, serves corporate interests at the expense of biodiversity, fueling forest fires and soil depletion. The proposed Altri textile fiber plant embodies this model—requiring 46 million liters of water daily, it endangers the Ulla River and the region’s fragile ecosystems. Ultimately, Galicia is caught in a system that prioritizes short-term profit over long-term sustainability, leaving its rural communities struggling to hold on.
Beyond the Lake is also a deeply personal research. I am both an observer and a part of this reality. The son of a father lost too soon to alcoholism, the grandchild of emigrants—three of my grandparents left Galicia, and I, too, lived abroad for 16 years. Some of the photographs were taken in my village, even in my own house—places that hold the weight of generations shaped by exile, abandonment, and the fight to preserve an identity under constant threat.
This project is a metaphorical journey into the essence of Galicia—a narrative constructed with a cinematic atmosphere that transports us to an indeterminate time, where social and political realities blend with Galician legends and its border with Portugal. It is a land of contradictions: sorrow and labor as defining traits, deeply rooted emigration, the tension between what is cherished and what is neglected, between tradition and destruction. Syncretic beliefs, mythology, and the duality of strength and oppression—forces that have long shaped the Galician people—continue to define the pulse of this land. Through images, Beyond the Lake seeks to capture this fragile balance, where nostalgia and resilience intertwine, and where the land itself becomes a mirror of a people’s enduring struggle to exist beyond the forces that threaten to erase them.