BETONIUM

BETONIUM explores how panel-built housing shaped identity in Central and Eastern Europe, blending modernist aesthetics, propaganda, and human stories. Spanning 11 countries, it examines urban control, collective memory, and the legacy of architectural her

BETONIUM explores the relationship between contemporary identity and architectural heritage in Central and Eastern Europe, focusing on panel-built residential blocks as tools of urban control and ideological power. Through "human sculptures," the project examines how architecture shapes lives, embedding collective dreams and aspirations into concrete.

Drawing on historical sculptures from the panel block construction era, I interrogate the concept of "stone idols," deconstructing narratives of control and idealisation. BETONIUM questions how these ideals were propagated in the Eastern Bloc through propaganda and in the West through modernist ambitions.

Spanning 11 countries across the former Iron Curtain—such as Poland, Slovakia, Georgia, Estonia, Serbia, and Belarus—I integrate block houses from one country into another using printed curtains. For instance, a Tbilisi (Georgia) panel house might appear in Tychy (Poland), or a Tallinn (Estonia) structure in Minsk (Belarus), blending environments to create a universal cityscape.

With AI, I create an "imaginary archive"mixing modernist aesthetics with ideological motifs. These digital collages, featuring industrial elements, machinery, and human figures, reflect the utopian ambitions of modernist design and the narratives of ideology.

Collages from my own photographs juxtapose past and present, capturing contrasts and tensions that reveal the complexity of identity in the former Eastern Bloc. Visiting individuals living in panel-block apartments, I document their everyday lives, portraying authenticity and simplicity within these monumental spaces.

Rooted in my experience growing up in a former Soviet republic, BETONIUM offers an insider’s perspective on the legacy of these structures and their role in shaping identity, community, and memory.

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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The image features a blockhouse printed on a curtain, referencing the "Iron Curtain" both literally and symbolically. The distortion of the building highlights the rigidity and manipulation of urban policies shaped socio-political constraints, blending themes of division and architectural uniformity.

© Katerina Kouzmitcheva - This collective arrangement reflects the concept of a "social body" molded by urban policies.
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This collective arrangement reflects the concept of a "social body" molded by urban policies.

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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The image presents a fictional architectural design that serves as a symbolic "imaginary archive" blending modernist aesthetics with ideological motifs.

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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The photo captures a monument in the center of Minsk, Belarus, featuring a Soviet-era jet fighter mounted on a pedestal, symbolizing technological progress and military heritage. The surrounding urban landscape includes typical panel residential buildings.

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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The photo portrays a contemporary reinterpretation of the iconic Soviet sculpture Рабочий и колхозница (Worker and Kolkhoz Woman).This act serves as a symbolic humanization of ideological idols once immortalized in stone, transforming them into living, vulnerable figures that challenge the rigidity and permanence of political symbolism.

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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The image presents a fictional architectural design that serves as a symbolic "imaginary archive" blending modernist aesthetics with ideological motifs.

© Katerina Kouzmitcheva - The photo depicts an open urban space in Bratislava, Slovakia, featuring a distinctive UFO-like monument on a grassy mound.
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The photo depicts an open urban space in Bratislava, Slovakia, featuring a distinctive UFO-like monument on a grassy mound.

© Katerina Kouzmitcheva - Panel block district in Belgrade, Serbia
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Panel block district in Belgrade, Serbia

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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Printed on a curtain, a block house from the Tallin, Estonia, is mounted in Minsk, Belarus panel block to symbolise the shared identity of the two countries through their architectural heritage.

© Katerina Kouzmitcheva - A "human sculpture" molded and constrained by urban policy
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A "human sculpture" molded and constrained by urban policy

© Katerina Kouzmitcheva - Panel block house, Wroclaw, Poland
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Panel block house, Wroclaw, Poland

© Katerina Kouzmitcheva - Belgrade, Serbia
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Belgrade, Serbia

© Katerina Kouzmitcheva - Poznan, Poland
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Poznan, Poland

© Katerina Kouzmitcheva - Minsk, Belarus
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Minsk, Belarus

© Katerina Kouzmitcheva - Tbilisi, Georgia
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Tbilisi, Georgia

© Katerina Kouzmitcheva - Image from the BETONIUM photography project
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Printed on a curtain, a block house from the town of Turec-Boyary, Belarus, is mounted in a Warsaw, Poland panel block district to symbolise the shared identity of the two countries through their architectural heritage.