A Past That Never Existed

“The economic viability of the present is sustained by debt, that is, by future income claimed, consumed, or spent in the present…in short, the present feels as if it is constituted by emptying out the future to sustain a looping version of a past that never existed”.

– Hito Steyerl.

This work - a collaboration between myself and Italian artist duo Eccoci Kitchen - uses food as a vehicle to explore and imagine alternative economies and value systems. It questions the nature of “value” within our economies and asks whether there are other principles or standards or behaviour that we consider important for life. Does our economy rest on a set of fictions and fabrications? And what grows in the devastation that we leave behind in our pursuit of growth and expansion? Part installation, part workshop: four courses are served which allow visitors to eat, explore and talk about food in relation to cultural, personal, nutritional, and experiential value. Food is served on a set of algorithmically generated plates, which take as their starting point, various pieces of text from popular internet forums on how to become profitable on the stock market, such as “the trend is your friend”, or “take a wait and see approach!”.

Participants are encouraged to explore these questions through a series of interactions. Starting with three things we value in our lives, and three morals or values that we admire in ourselves and others, participants are asked to imagine what an economy or society based on these objects, values and morals might look like. How might we measure an economy that is based on our sense of touch for example? What might an economy based on the sun look like? What shape would it take? Participants are encouraged to respond to the exercisers by writing and drawing on the tablecloth, serving as a document of communal ideas and outcomes from the workshop.

Information on the Plates:

These images have been produced by a Generative adversarial network. (GANs) are algorithmic architectures that use two neural networks, (a generator and a discriminator) pitting one against the other in order to generate new, synthetic instances of data that can pass as real. They are used widely in image recognition, generation and are the algorithms used in the creation of “deep fakes”. GANs are also used to remove areas or blemishes of an image on Photoshop, and are key to almost every internet browser's distribution and presentation of images, they are used in google searches and online image recognition - they are therefore integral to the way in which images are used and spread in our digital world, and a very relevant tool with which to be experimenting). I have created these images using a text-to-image GAN. Through this process, I am able to generate images from words.

I have been feeding this particular GAN the names of various stock-market patterns used by traders in order to predict future trends in the financial market, as well as phrases taken from various internet forums for day traders (amateur home traders) on how to become profitable on the stock market. The GAN then produces an image, which it thinks, accurately represents these words. The patterns and phrases are printed underneath each image, with an aim to create a satirical and fabricated visual encyclopaedia of trading techniques and patterns.

The images created are based on a database of images taken at random from the internet, from which the algorithm is trained. These images are therefore fabrications of reality, based on real images, that the algorithm is attempting to present as real.

There are some interesting parallels between the way that this algorithm works, and the way in which value is apportioned to stocks on the stock market – both involve a certain amount of fiction and fabrication, and have limited relation to tangible reality.

© George Selley - "The trend is your friend!"
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"The trend is your friend!"

© George Selley - "We're in a bottoming process"
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"We're in a bottoming process"

© George Selley - "Take a wait and see approach"
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"Take a wait and see approach"

© George Selley - "Head & Shoulders"
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"Head & Shoulders"

© George Selley - "Horizontal Channel"
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"Horizontal Channel"

© George Selley - "It's a show me stock"
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"It's a show me stock"

© George Selley - "Overbought"
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"Overbought"

© George Selley - "I'm cautiously optimistic"
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"I'm cautiously optimistic"

© George Selley - "Rounding bottom"
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"Rounding bottom"

© George Selley - "Descending Triangle"
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"Descending Triangle"

© George Selley - "Double Bottom"
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"Double Bottom"

© George Selley - "Rising Wedge"
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"Rising Wedge"

© George Selley - "Stocks are down on profit taking"
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"Stocks are down on profit taking"

© George Selley - "Ascending Broadening Wedge"
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"Ascending Broadening Wedge"

© George Selley - Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.
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Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.

© George Selley - Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.
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Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.

© George Selley - Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.
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Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.

© George Selley - Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.
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Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.

© George Selley - Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.
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Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.

© George Selley - Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.
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Workshop in collaboration with Eccoci Kitchen, at Staffordshiore street gallery, December, 2022.

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