A Burial

This work is a burial. It is a ritualistic farewell to my mother and a return to her ancestors and island home of Tahiti. The series combines woven artefacts with landscape images; family archive, cyanotype prints and self portraiture.

For 30 years my mother's ashes have rested in an urn, concealed in a brown paper bag awaiting reunion with my father's. My father's wish is we await his passing before they are scattered into the sea together. Her marriage to him marked the beginning of her life in Australia and her departure from Tahiti and her Tahitian family.

Her death was cataclysmic for my family. On her deathbed, she begged me to let her go. At her side, I begged her to stay. 

I've lived a lifetime in her absence and mourning. The revelation that she and I are held in painful limbo, as well as the gut-wrenching fact that it's a Tahitian tradition to bury loved ones in their familial land inspired this work. The work echoes my grief, isolation and the mana (spirit) of the mountains, ocean, sky and plants of our Fenua (Tahiti and her islands). This work is a burial. A ritual of making and closure. A farewell and a welcome to ancestors.

Strips of handwritten letters between my mother and me are woven into landscape images of our islands. The resonance of our shared stories, both ordinary and extraordinary, momentarily makes her presence felt and her voice heard. The ritualistic making of these woven artefacts was one last conversation of remembering and retelling. Utilising the cyano-type process echoes the traditional Tahitian fabric motif printing, along with its experiential qualities of making.

© françoise schneiders - Iles du Vent
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Iles du Vent

© françoise schneiders - Image from the A Burial photography project
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Self portrait with cyanotype print of Tahitian necklaces given to us by family as we departed from one of our trips home to Tahiti. The tradition of giving shell necklaces symbolises the calling to return again to Tahiti one day. The necklaces here also mimic our moana (ocean) and waves - a metaphor for the vast and sometimes turbulent loneliness of grief.

© françoise schneiders - Photo of my mother, Tetua, in Tahiti in the 1950s.
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Photo of my mother, Tetua, in Tahiti in the 1950s.

© françoise schneiders - Image from the A Burial photography project
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Each year here in Australia, we would plant a tree in my mother's memory. This is one of the trees - a Tahitian Lime tree. I love the ghost/spirit-like quality of cyanotype prints.

© françoise schneiders - For many nights I used to dream that we were almost holding hands.
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For many nights I used to dream that we were almost holding hands.

© françoise schneiders - Image from the A Burial photography project
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View of Tahiti from Mo'orea. Mo'orea was my mother's favourite island and as a child, she often stowed away on the ferry there.