Make Me Beautiful
-
Dates2018 - Ongoing
-
Author
-
Shortlisted
I took my portrait to the cosmetic surgery clinics to have my face examined. I wore masks made of other women's pre-surgery portraits, and removed our facial features. I made glass 'death masks' from these unwanted faces with my hand to express sympathy.
I grew up witnessing the burgeoning cosmetic surgery industry, surrounded by judgements about my own appearance, feeling a strong connection to the millions in China who were reportedly seeking aesthetic transformation. I turned to photography as a means to confront my anxieties about my looks, the societal beauty ideals, and explore the mechanisms behind the cosmetic surgery scene in China.
I visited over thirty cosmetic surgery clinics with my self-portrait. The consultants there, who called themselves "beauty designers", used a variety of tools to assess my face, and map out surgery plans on my portrait. In an authoritative tone, they meticulously pointed out my facial "flaws". Sometimes, they immediately let me choose from the most popular prototypes of desired faces, like choosing products from a shelf. They told me that a face could be a "permit" to my dream life…I smelled my desires and weaknesses.
While 'collaborating' with the clinics on the diagnosis portraits, I photographed their interiors, which features an ambiguous coexistence of medical and commercial elements. I also collected pre-surgery portraits of people who have undergone cosmetic surgeries, taken by clinics and posted on cosmetic surgery portal websites for promotion, covered with the websites’ watermarks. Despite being photographed in an objective manner, they reveal to me a mixture of feelings from melancholy to puzzlement, hope, restlessness, determination, nostalgia...They remind me of death masks used to preserve faces after death, post-mortem photography, or all photographs that are indexical of mortality. I removed the watermarks from the portraits, transformed them into masks that I wore, and added new watermarks featuring Chinese words associated with appearance shaming on both our faces. And, inspired by the 'portrait-robot' - a tool used by 20th century police to create facial composites of criminal suspects, I removed our facial features, which is both a documentary of faces stigmatized, and a resistance against the social gaze. I also cut patterns on my portraits, 'transplanting' their experience onto me. At this moment, they are me and I am them.