Yet still, rebirth. In the ordinary ache of waking.

A story of resilience and care told through the bond of кума (kuma). Documenting Iryna’s life through exile, return, and war, the work honors the quiet persistence of daily existence. Rebirth in the ordinary ache of waking.

In Ukrainian, there are words that hold more than meaning. They carry history, tradition, and entire ways of living. One of these words is кума (kuma). More than a godmother, a kuma is a chosen sister, a companion for all of life’s joys and sorrows. The tradition of кумівство (kumivstvo) embodies trust, loyalty, and shared destiny, a bond that weaves people together across generations. It is a living practice of friendship and care, a social model of belonging and resilience.

Yet still, rebirth. In the ordinary ache of waking, is born from such a bond. Iryna and I are not only photographer and subject, but kuma. Sharing life, navigating exile and return, motherhood and loss, in different languages and cultures, yet always together. Each photograph grows from this closeness, becoming both witness and act of presence: small gestures of shared life, quiet affirmations of resilience in uncertain times.

I first met Iryna in Italy in 2022, just days after she fled Kyiv. Two weeks later, she gave birth to her second daughter. Over the year we spent together, our lives intertwined and we became kuma, a bond that embodies trust, care, and chosen kinship. This closeness allows me to photograph from within a relationship, witnessing the intimate rhythms of care, resilience, and tenderness that define her life.

The project began in 2022 and is ongoing. I have followed Iryna across Italy and western Ukraine, documenting her experiences of migration, motherhood, and eventual return to Kyiv in 2023. Along the way, we shared deeply personal moments. The birth of her children, the funeral of her brother, a military doctor. Each moment emphasizes not only survival, but also the endurance and growth of life amidst uncertainty.

Photographed in natural light and black-and-white, the series leans into intimacy. It is a reportage of everyday moments, with close framings of domestic gestures layered with wider shots of empty rooms and fragmented landscapes. The rhythm shifts between stillness and movement, reflecting the uncertainty of life in transition. My approach centers on holding space for vulnerability, attending to what often goes unseen, and translating the quiet strength of daily life into images that honor presence and resilience.

Yet still, rebirth. In the ordinary ache of waking, reflects this fragile rhythm of life in Ukraine. Each morning is uncertain, disturbed by sleepless nights spent hiding from drones and missile attacks, shadowed by the fear of what may come. And yet, life insists on itself. Children go to school, meals are prepared, work is carried out. There is no space for giving up. Rebirth happens not in grand gestures, but in the ordinary persistence of waking again, of choosing life despite everything. This project honors that quiet, daily act of resistance.

With the support of this grant, I aim to produce a book. The work will speak to mothers, migrants, and anyone grappling with resilience in times of upheaval. Beyond Iryna’s individual story, it seeks to show how much life continues to flourish despite war. The project highlights the unseen labor of care, the quiet acts of resistance embedded in everyday life, and the enduring bonds that sustain people through uncertainty.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Pescara, Italy 2023. Iryna’s Polaroid, 23 July 2023. That day, she came for lunch in a light white dress, glowing with joy for the child she was expecting. Myron. With Dasha and little Yasya beside her, she looked calmer than during her last pregnancy. The fear hadn't vanished, but her face held more light than before.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Fenevychi, Kyiv oblast Ukraine 2022. Burning the remains. In the garden, Iryna’s in-laws burned what Russian soldiers had broken—furniture, photos, even memories.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Berehove, Zakarpattia oblast Ukraine 2023. Sasha, Iryna's husband. While Sasha served near the Hungarian border, he missed the birth of two of his children. Now reunited, he plays with them in a moment of peace.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Fenevychi, Kyiv oblast Ukraine 2022. Bunker door, Fenevychi. In the first weeks of invasion, villagers hid in cold, dark cellars like this one. Iryna spent a day underground before fleeing. She was pregnant and needed a C-section. Survival meant leaving.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Kyiv, Ukraine, 2024. Dasha plays outside her building. She returned to Kyiv at six, after nights spent rushing to the bathroom with her parents during bombings and school days in shelters under alarms. An expressive child, she treasures every moment in the open air.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Fenevychi, Kyiv oblast Ukraine 2022. "люди живут здесь; тут живуть люди; people live here". People in occupied villages wrote this phrase on the gates of their homes. A vain attempt to avoid being attacked and robbed by Russian soldiers. The writing is in Russian. The second transcription is in Ukrainian. Two different countries. Two different languages.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Kyiv, Ukraine 2025. Myron, the morning after. Just hours after a deadly attack, Myron bathes where his sisters had hidden from bombs. Inside the bathroom, the safest place in a Kyiv home.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Kyiv oblast, Ukraine 2022. The Kyiv Sea is a large bend of the Dnipro River, formed artificially by the dam built before the city. It is a natural barrier that protects the city from any attack from the north. The Ukrainian army has destroyed bridges along the road to the north to slow down or block the Russian advance towards the capital.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Kiev, Ukraine 2024. Iryna enjoys the cherry blossoms in the Kyiv Botanical Garden. During that week, she was able to meet her brother, a military medic on the front lines since 2014. We talked about the impact of war on families, separations, and the changes that forever mark lives.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Pescara, Italy 2023. The Krupnyk family spent their last days in Italy at the seaside flying kites. At the beginning of autumn in Pescara the wind picks up, the air of change brings the departure and the return home closer. Small moments of happiness and sharing.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Pescara, Italy, 2023. Sasha visits the seaside for the first time since the invasion. His third child, Myron, was born in August, exempting him from military service and allowing him to cross the border. He spent two months in Italy with Iryna and their children before returning to Kyiv in November. Their return itself an act of resistance.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Villamagna, Chieti, Italy, 2022. Iryna first stayed in Francavilla by the sea, then in the quiet hill village of Villamagna. Like many refugees, she found shelter in empty tourist houses, filled with worn furniture and silence. In one, a carved ship stood still in a dusty cabinet, while her own life turned into a vast and urgent journey.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Fenevychi, Kyiv oblast Ukraine 2024. Dasha and Yasya barefoot for the first time. They lie on the lawn in their grandmother's garden on a warm spring day.

© Federica Lucia Carducci - Image from the Yet still, rebirth. In the ordinary ache of waking. photography project
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Fenevychi, Kyiv oblast Ukraine 2022. Nights in Ukraine seem longer. You never know if there will be a missile attack and where it will hit. Who will survive the night? And yet the night is full of pleasures and discoveries. The Milky Way on a cool autumn night in Kyiv Oblast.

Yet still, rebirth. In the ordinary ache of waking. by Federica Lucia Carducci

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