-3.5 | How I See

  • Dates
    2017 - Ongoing
  • Author
  • Topics Fine Art, Landscape, Street Photography
  • Locations Beirut, Rio de Janeiro, Byblos, Delphi

This ongoing series reconstructs vision shaped by −3.5 diopters. Through optical modeling and digital processing, it explores myopia as a perceptual state—shifting depth, light, and presence between documentation and subjective experience.

This photographic series is shaped by –3.5 diopters.
It reconstructs vision as a subjective experience—shifting between light, depth, and presence.

Situated between documentation and perception, the work reveals an unstable mode of seeing.

© Anifou - Byblos • Jbeil, Lebanon • Layers of history. Light on the coast. Soft edges. Perception. Gia Panta.
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Byblos • Jbeil, Lebanon • Layers of history. Light on the coast. Soft edges. Perception. Gia Panta.

© Anifou - Delphi • Delphi, Greece • Between mountains and ruins – shaped by the ancients. Humility before landscape and history.
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Delphi • Delphi, Greece • Between mountains and ruins – shaped by the ancients. Humility before landscape and history.

© Anifou - Image from the -3.5 | How I See photography project
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Rio • Rio de Janeiro, Brazil • Spaciousness – a subtle sense of unease. A contemplative gaze at the sea. Night light contrasts with the warmth of the sand – a quiet reflection on distance and the aesthetics of the vague.

© Anifou - Hand • Rio de Janeiro, Brazil  • A moment on invisible spaces – and secrets of urban life.
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Hand • Rio de Janeiro, Brazil • A moment on invisible spaces – and secrets of urban life.

© Anifou - Two Brothers & The Sea • Rio de Janeiro, Brazil • Ipanema. Deep light in the haze – and silence.
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Two Brothers & The Sea • Rio de Janeiro, Brazil • Ipanema. Deep light in the haze – and silence.

© Anifou - Image from the -3.5 | How I See photography project
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Demo Bar • Beirut, Lebanon • Between palms, urban structure, and abstraction. The scene feels removed. The gaze slips into depth and darkness as perspectives shift.

© Anifou - Image from the -3.5 | How I See photography project
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Gibran • Bsharri, Lebanon • A gaze into the valley – a window of memory. Landscape, origin, and abstraction meet as the world’s layers reveal their patterns.

-3.5 | How I See by Anifou

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