PhMuseum 2018 Women Photographers Grant | Grants - PhMuseum

PhMuseum 2018
women photographers grant
Winners

© Maria Sturm

Thanks to all the applicants of this 2nd edition!

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Results

1st Prize

"You Don't Look Native to me"

by Maria Sturm

£5,000 plus a publication on YET Magazine, a projection at Photo Vogue Festival 2018, and promotion on the PhMuseum channels.

2nd Prize

To Set Fire to the Sea

by Sinead Kennedy

£2,000 plus a publication on YET Magazine, a projection at Photo Vogue Festival 2018, and promotion on the PhMuseum channels.

3rd Prize

KKK (Quran School for Girls)

by Sabiha Çimen

£1,000 plus a publication on YET Magazine, a projection at Photo Vogue Festival 2018, and promotion on the PhMuseum channels.

Main Prize Honourable Mentions

A projection at Photo Vogue Festival 2018, and promotion on the PhMuseum channels.

New Generation Prize

Drummies

by Alice Mann

£2,000 plus a mentorship with Fiona Rogers (Magnum Photos Global Business Development Director), plus a nomination for the World Press Photo 2019 Joop Swart Masterclass, a projection at Photo Vogue Festival 2018, and promotion on the PhMuseum channels.

New Generation Prize Honourable Mentions

A projection at Photo Vogue Festival 2018, and promotion on the PhMuseum channels.

Vogue Italia Prize #1

Deep Land

by Roselena Ramistella

Selected by Alessia Glaviano, the work will be published on Vogue Italia.

Vogue Italia Prize #2

Äimärautio

by Kati Leinonen

Selected by Chiara Bardelli Nonino, the work was published on Vogue Italia in February 2019.

Vogue Italia Prize #3

Hiding from Baba Yaga

by Nanna Heitmann

Selected by Francesca Marani, the work will be published on Vogue Italia.

Verzasca Foto Prize

Psyche

by Ayline Olukman

Selected by the whole female team of the festival plus Alfio Tommasini, the work wins a solo show at the 2019 edition of Verzasca Foto.

Judges

Shortlisted

© Maria Sturm Maria Sturm

There is a saying that “a photographer doesn’t take the photo but it is given by the sitter”, this is true in each of Maria Sturm’s frames which are juxtaposed between moments and the trust that she has built with those that she has captured. In essence, her project You Don’t Look Native To Me offers us a glimpse into a long-term project that portrays a community at the crossroads of the past and the future. Aïda Mulune, Judge