A Boundless Place, 2018. This work exists as a dye-sublimation print on aluminum, 40” tall x 32” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise images from catalogs and books, scraps of pigmented inkjet prints on Habotai silk, and a digitally composited photographic background.
The Narrow Round, 2018. This work exists as a dye-sublimation print on aluminum, 22.5” tall x 15” wide, in an edition of 3. The original was shot with a digital camera. Photographic materials comprise a World War II photograph of a woman painting an airplane, 3 stones, and digitally manipulated photographs from catalogs.
The Broken Word, 2018. This work exists as a pigmented inkjet print on Habotai silk, 50” tall x 62.5” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise photos from the NYPL picture collection, catalog images, and scraps of inkjet-printed Habotai silk.
A Whip, So Small, 2018. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise found photos, a catalog photo, and a piece of printed fabric.
Woman Scaled, 2018. This work exists as a dye-sublimation print on aluminum, 30” tall x 20” wide, in an edition of 3. The original was shot with a digital camera. Photographic materials comprise a digitally created photographic background, a stone, a manipulated image from a catalog, and a photo torn from a newspaper.
Indelible Laughter, 2018. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot with a digital camera. The photograph was made in one day, while listening to the Christine Blasey Ford/Brett Kavanaugh Supreme Court hearing. Photographed materials comprise a series of receding photos.
The Hours Are Ours, 2019. This work exists as a dye-sublimation print on aluminum, 30” tall x 20” wide, in an edition of 3. The original was shot with a digital camera. Photographed materials comprise pigmented inkjet prints on Habotai silk, a catalog image, and a digitally manipulated photographic background.
Light Passes, 2016. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise a my own photograph and small cut-out dots of other photographic prints.
Huntress, 2016. This work exists as a dye-sublimation print on aluminum, 20” tall x 16” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise a re-photographed, manipulated and torn image from a magazine and a painted background.
Ancient Questions, 2016. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise a found photograph, a catalog image, and a digitally manipulated background.
In the White Blaze, 2016. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise a found photograph, a marbled endpaper of a book, and a photograph from a magazine.
That Which Is and That Which Was, 2018. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise my own and found photographs and catalog images.
The Twice-Born, 2019. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original photograph was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise colored gels, colored vellum, a digitally accessed NYPL rare book, photographs, catalog images, and newsprint.
Continents of Summer, 2018. This work exists as a dye-sublimation print on aluminum, 40” tall x 32” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise a found photo, photos from catalogs, color gels, artist tape, and a scrap of inkjet print on Habotai silk.
A World Swarmed with Sorcerers, 2018. This work exists as a pigmented inkjet print on Habotai silk, 50” tall x 62.5” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise photos from the NYPL picture collection, catalog images, and scraps of inkjet-printed Habotai silk.
The Riddle of Written Stone, 2018. This work exists as a dye-sublimation print on aluminum, 30” tall x 24” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise my own and found photographs and catalog images..
The Dancing Tree, 2019. This work exists as a dye-sublimation print on aluminum, 20” tall x 16” wide, in an edition of 3. The original photograph was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise painted wood, colored gels, and photographic prints.
The Mask of Sleep, 2019. This work exists as a dye-sublimation print on aluminum, 32.5” tall x 24” wide, in an edition of 3. The original photograph was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise colored transparent prints, photographs, book pages, and a digitally manipulated background.
Forgotten Night (False/Faithless), 2018. This work exists as a dye-sublimation print on aluminum, 40” tall x 32” wide, in an edition of 3. The original was shot on 4” x 5” color negative and scanned with a Hasselblad Flexcolor scanner. Photographed materials comprise images from catalogs and books, and scraps of pigmented inkjet prints on Habotai silk.