Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.

Black Sex is Forbidden; Black death is permitted:
Birthed from explorations on black love and sexuality, Plantation employs her body to navigate the institutionalisation of black death. She performs in homes across France and Nigeria, archiving her rage and symbolising the brutality of anti-blackness. Using grotesque movements and absurd elements, she confronts your apathy and the normalisation of black decay. Furthermore, She questions her autonomy, reflecting on the violence of purity culture- whereby God owns her body, her father owns her body, and her mother owns her body. With her unclothed and painted form, she revolts against these notions, challenging ideas of undesirability and the masculinization of black women. In many ways she becomes a beast, recording her revolution, creating a visual world centered on interrogating systematic oppression and black death.