Behind the picture: David Favrod on Hikari

In our new monthly series, Behind the Picture, we tell the story of an image by a photographer from the PHmuseum’s online community. This month: David Favrod’s surreal and beguiling image of a young girl with a painted face

Photo from the series Hikari by © David Favrod

I was born in Kobe, Japan, to a Swiss father and Japanese mother. We moved to Switzerland when I was a baby. My father was often away travelling so my mother brought me up and passed many Japanese influences down to me.

When I turned eighteen, I applied for dual nationality status, but the Japanese embassy refused; only Japanese women who want to take their husband’s nationality are eligible. The refusal felt like a rejection from my own country, so, in 2009, I decided to create a project – Gaijin (from the Japanese word meaning ‘the foreigner’) – as a way to create my ‘own Japan’ in Switzerland. The project was part of my quest for identity. I drew on memories of journeys I had made to Japan when I was small, my mother's stories, tales from popular and traditional Japanese culture, and my grandparents’ memories.

Gaijin comprises three series, the most recent being Hikari – Japanese for ‘the light’. This image is from Hikari, which I shot between 2012 and 2015. In the series I use my grandparents’ stories from the second world war as inspiration for my own testimony of something I never experienced but that influenced me subconsciously.

I took this image, Mishiko, 2012, in Switzerland. Mishiko was my grandfather’s sister. During the war she fell ill. The doctor diagnosed her as being dehydrated so her family gave her watermelon to eat, but the diagnosis was wrong – she in fact had a salt deficiency – and died shortly afterwards. That’s why there is a watermelon on the girl’s head and her face is painted red like the inside of the fruit.

When I start a series, I draw each image in my sketchbook to work out the elements I want to include. Once I have this information, I search for a suitable person, props and clothes. I’ll go to the place where I want to shoot in advance to work out how I want to take the shot.

The girl in this image is my sister’s goddaughter who was eight or nine years old at the time. Making the picture was straightforward; I didn’t direct her too much. I always photograph when there is a lot of cloud in the sky, so the light is soft.

My images tend to have a similar aesthetic, but for me, it’s more about the stories and memories. I’m inspired by literature and I read a lot. My favourite writers include: Kōbō Abe and Yōko Ogawa whose work is situated between fiction and reality. I work in a similar area, and I don’t like my images to be too obvious; I prefer to create a bit of magic and suggestion.

Hikari is on at C/O Berlin, Amerika Haus, from 07 November 2015 – 31 January 2016


To learn more about David Favrod’s series Hikari, visit his PHmuseum profile.

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