"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.
"The Cimarrón and the Fandango" speaks allegorically about the past of a black community and its members’ journey through the fluctuations of colonial history, their integration into the Mexican territory, and their sense of identity within it. Yet that past isn’t merely a descriptive historical concept: it is, above all, a definition of the present. A present, in the case of their Afro-Mexican descendants, that remains marginal, unstable, and immemorial.