The Palace (or, Future Archeologies) | Shortlisted Project - PhMuseum 2020 Photographers Grant - PhMuseum

The Palace (or, Future Archeologies)

  • Totem, 2018.

  • Direction stone, 2019.

  • Cornflower, 2019. Photogram, with natural materials taken from the landscape above the deep geological storage site. Genetic modification of plants in the landscape around nuclear waste burial sites, to make them an unusual colour, has been posited as a way of marking the sites.

  • Imprint, 2021. Semiotician Florian Blanquer has been developing what he calls a “praxeological device"; which would be independent of any verbal language, using patterns of signs and visual representations received through a physical experience to teach the person encountering it a brand-new communication system (created specially to convey a message about radioactivity).

  • Mirrors & Pebbles, 2019.

  • Bee, Cardboard, Buttercup, 2019.

  • Three or Four, 2019.

  • Canola flower, 2019.

  • Fabric & Glass, 2019. Semiotician Florian Blanquer has been developing what he calls a “praxeological device"; which would be independent of any verbal language, using patterns of signs and visual representations received through a physical experience to teach the person encountering it a brand-new communication system created specially to convey a message about radioactivity.

  • Trees, animals, 2021.

  • Smiley, Underground Radiation Storage Test Site 2, 2019. Bure, France.

  • Untitled (archeologies), 2021.

  • Untitled 002 (archeologies), 2019.

  • Tracing a buzzwire, 2022. Photogram.

  • Oil & Stone, 2019. Oil stained town hall, after oil was thrown at the building in anti-nuclear protest in Bure, France. Since 2004, Bure has been home to a rotating group of international anti-nuclear, anti-repository protesters. The protesters form their own memory site, by continually protesting against the deep geological storage, and, presumably, by passing their beliefs on to future generations, keeping the issue in the public eye; their base has become its own sort of monument.

  • Dandelions & Wire, 2019. Semiotician Florian Blanquer has been developing what he calls a “praxeological device"; which would be independent of any verbal language, using patterns of signs and visual representations received through a physical experience to teach the person encountering it a brand-new communication system created specially to convey a message about radioactivity.

  • New monuments, 2021.

  • Markings, Underground Radiation Storage Test Site 4, 2019. Bure, France.

  • Radiation & glass, 2019. Example of nuclear waste fused with glass (as museum object), Bure, France, at the deep geological storage laboratory's onsite visitor centre, which forms a part of the nuclear memory programme.

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Communities, environments, landscapes shift over thousands of years. Scientists, anthropologists, archeologists, architects, philosophers and semioticians have all been trying to answer the question of how you leave a warning that future societies can understand and respect? Creating a culture of memory around burial sites is seen as one answer.\r<\/p><p>Using nuclear semiotics as a starting point, the work considers how and what we leave behind for future generations. Between representation and abstraction, I explore the quest for a universal visual language, our cultures of memorialisation, and our future archeologies - what we might communicate over the abyss of deep time.<\/p>","body_raw":"Nuclear energy itself has become a symbol of our age; the double edged sword of technological utopia and universal doom. 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