Tell me what to see | Shortlisted Project - PhMuseum 2020 Photographers Grant - PhMuseum

Tell me what to see

{"id":43732,"grant_id":18,"user_id":33800,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":481094,"story_id":41834,"place_id":null,"title":"Tell me what to see","excerpt":"","excerpt_raw":"","body":"<p>\u201cTell me what to see\u201d investigates the impact of new technologies on human behaviour and experience. In search of the future, the project focuses on the implications of data, algorithms and artificial intelligence.\r<\/p><p>Our life is getting increasingly controlled by algorithms as vast amounts of data are being created, captured and analysed. They can save lives, simplify things and structure chaos. However, there is great concern that they may place too much control in the hands of corporations and governments, reinforce bias, create filter bubbles, facilitate mass surveillance and lead to greater social imbalances.\r<\/p><p>It is humans who shape the world and create new technologies. And it is humans who decide which data is used for AI systems. The project explores what the world might look like when all aspects of our lives have been redesigned and re-constructed.\r<\/p><p>\u201cBy encoding our ideas and intentions into machines, we make them literal constructors of the world\u201d (James Bridle, New Dark Age, 2018)\r<\/p><p>The images of the project have been created in 3 different approaches:\r<\/p><p>1. Taken with a camera in physical space by observing everyday life and searching for images that seem to reveal the impact of technology, as well as searching for images that show the intervention of man on the environment.\r<\/p><p>2. staged and constructed images created in the studio that look like they were computer generated\r<\/p><p>3. and images generated by AI.\r<\/p><p>I have chosen this approach to generate an archive of the future with which I tell an associative story. I play with the question of what is real or fake. Who is tricking whom and who has sovereignty over the machine. But it is also about perception and digital viewing habits. How and what does a machine see? Who creates the better digital images, the machine or me in the studio. Who is in control?\r<\/p><p>In \u201cTell me what to see\u201d I construct an artificial world, a new reality reflecting on the future and human existence in an attempt to make the invisible visible.<\/p>","body_raw":"\u201cTell me what to see\u201d investigates the impact of new technologies on human behaviour and experience. In search of the future, the project focuses on the implications of data, algorithms and artificial intelligence.\r\n\r\nOur life is getting increasingly controlled by algorithms as vast amounts of data are being created, captured and analysed. They can save lives, simplify things and structure chaos. However, there is great concern that they may place too much control in the hands of corporations and governments, reinforce bias, create filter bubbles, facilitate mass surveillance and lead to greater social imbalances.\r\n\r\nIt is humans who shape the world and create new technologies. And it is humans who decide which data is used for AI systems. The project explores what the world might look like when all aspects of our lives have been redesigned and re-constructed.\r\n\r\n\u201cBy encoding our ideas and intentions into machines, we make them literal constructors of the world\u201d (James Bridle, New Dark Age, 2018)\r\n\r\nThe images of the project have been created in 3 different approaches:\r\n\r\n1. Taken with a camera in physical space by observing everyday life and searching for images that seem to reveal the impact of technology, as well as searching for images that show the intervention of man on the environment.\r\n2. staged and constructed images created in the studio that look like they were computer generated\r\n3. and images generated by AI.\r\n\r\nI have chosen this approach to generate an archive of the future with which I tell an associative story. I play with the question of what is real or fake. Who is tricking whom and who has sovereignty over the machine. But it is also about perception and digital viewing habits. How and what does a machine see? Who creates the better digital images, the machine or me in the studio. Who is in control?\r\n\r\nIn \u201cTell me what to see\u201d I construct an artificial world, a new reality reflecting on the future and human existence in an attempt to make the invisible visible.","social_approval":0,"is_shortlisted":1,"is_other":0,"is_good":0,"is_strong":0,"is_ongoing":1,"is_unpublished":0,"sent_first_email_reminder":0,"awaiting_payment":1,"has_started_payment":0,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":1,"amount_paid":35,"original_price":35,"external_id":null,"payment_id":"8EK001544S262200B","session_id":null,"token":null,"grant_order_id":18641,"submitted_at":"2022-02-17T22:49:53.000000Z","affiliate_id":null,"is_forced_public":1,"address_1":null,"city":null,"region":null,"country":"DE","postcode":null,"codice_fiscale":null,"started_at":"2019-01-01T00:00:00.000000Z","ended_at":null,"created_at":"2022-02-17T16:42:39.000000Z","updated_at":"2022-03-10T14:34:35.000000Z","place":null,"publications":[],"categories":[],"tags":[],"blocks":[{"id":481089,"grant_submission_id":43732,"story_block_id":null,"image_id":607076,"position":-1,"created_at":"2022-02-17T17:36:10.000000Z","updated_at":"2022-02-17T22:18:50.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607076,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gm8a75cd857d5a.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:36:10.000000Z","updated_at":"2022-02-17T17:36:10.000000Z"},"story_block":null},{"id":481090,"grant_submission_id":43732,"story_block_id":null,"image_id":607077,"position":0,"created_at":"2022-02-17T17:36:23.000000Z","updated_at":"2022-02-17T22:18:50.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607077,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gm8n64eafe1537.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:36:23.000000Z","updated_at":"2022-02-17T17:36:23.000000Z"},"story_block":null},{"id":481092,"grant_submission_id":43732,"story_block_id":null,"image_id":607079,"position":1,"created_at":"2022-02-17T17:36:44.000000Z","updated_at":"2022-02-17T22:18:50.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607079,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gm98379b5fd6c3.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:36:44.000000Z","updated_at":"2022-02-17T17:36:44.000000Z"},"story_block":null},{"id":481093,"grant_submission_id":43732,"story_block_id":null,"image_id":607080,"position":2,"created_at":"2022-02-17T17:37:06.000000Z","updated_at":"2022-02-17T22:18:50.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607080,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gm9u2f60e12be0.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:37:06.000000Z","updated_at":"2022-02-17T17:37:06.000000Z"},"story_block":null},{"id":481094,"grant_submission_id":43732,"story_block_id":null,"image_id":607081,"position":3,"created_at":"2022-02-17T17:37:19.000000Z","updated_at":"2022-02-17T22:33:01.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607081,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gma66082e72c35.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:37:19.000000Z","updated_at":"2022-02-17T17:37:19.000000Z"},"story_block":null},{"id":481095,"grant_submission_id":43732,"story_block_id":null,"image_id":607082,"position":4,"created_at":"2022-02-17T17:37:30.000000Z","updated_at":"2022-02-17T22:33:01.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607082,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gmaia832d077b2.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:37:30.000000Z","updated_at":"2022-02-17T17:37:30.000000Z"},"story_block":null},{"id":481096,"grant_submission_id":43732,"story_block_id":null,"image_id":607083,"position":5,"created_at":"2022-02-17T17:37:47.000000Z","updated_at":"2022-02-17T22:33:01.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":607083,"filename":"\/users\/33800\/grant-submissions\/43732\/r7gmazbcd044f7dd.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2022-02-17T17:37:47.000000Z","updated_at":"2022-02-17T17:37:47.000000Z"},"story_block":null},{"id":481145,"grant_submission_id":43732,"story_block_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08:15:27","timezone":null,"is_legacy":0,"is_collateral_juror":0,"legacy_id":null,"accepted_tandcs_may18_at":"2018-10-17 08:15:27","last_logged_in_at":"2022-05-11T20:52:52.000000Z","last_logged_in_country":"DE","registered_country":null,"is_not_spam":0,"when_legacy_potd":"2021-10-20T00:00:00.000000Z","delete_at":null,"created_at":"2018-10-17T08:15:27.000000Z","updated_at":"2022-05-11T20:52:52.000000Z","deleted_at":null,"profile":{"id":33781,"user_id":33800,"born_in_id":null,"based_in_id":145989,"currently_in_id":145989,"nationality_id":68,"avatar":null,"cover_image":null,"born_at":null,"profession":null,"bio":null,"long_bio":"<p>Carola Lampe, is a Berlin-based artist working with photography, installation and performance. She graduated from Osnabr\u00fcck University with a master\u2019s in Fine Arts, has studied Dance and Choreography at Laban Centre London and Photography at Ostkreuzschule Berlin.\r<\/p><p>Carola\u2019s work has been exhibited at festivals, galleries and institutions in Germany, UK, Netherlands, Sweden, Greece, Italy and Hungary. Her performances have been shown in Germany, the UK and Japan.\r<\/p><p>She has been chosen as an emerging artist for the 3rd cycle (2019-2020) and 4th cycle of PARALLEL Photo Platform programme. Carola is a winner of Belfast Photo Festival 2021 and was shortlisted for the Athens Photo Festival 2017, 2020 and Format International Photography Festival 2021. \r<\/p><p>Some of her recent photography projects have been featured in Der Greif, PARALLEL Atlas and dienacht magazine.\r<\/p><p>She is currently interested in the implications of technology on the human being. By observing everyday life and by investigating boundaries of what is real and what isn\u2019t, her art shifts between documentary and fiction.\r<\/p><p>Exhibitions\r<\/p><p>2021 Fotofestival Schiedam, Open Call Exhibition 2021, NL\r<\/p><p>2021 PARALLEL Review, Fotofestiwal Lodz, PL\r<\/p><p>2021 FUTURE(S); Belfast Photo Festival 2021 Open Submission exhibition, Belfast, UK\r<\/p><p>2021 Der Greif Guest Room: Curated by Mirjam Kooiman, Der Greif\r<\/p><p>2020 PARALLEL Intersection, Landskrona Fotofestival 2020, Landskrona, SE\r<\/p><p>2020 \u201cWhat you don\u2019t know\u2026\u201d, Kunstquartier Bethanien, Berlin, DE\r<\/p><p>2020 \u201cThe future is (not) guilty\u201d, at Organ Vida Festival, Zagreb, HR\r<\/p><p>2020 \u201cNotes on Space\u201d, at Odesa PhotoDays Festival, Odessa, UA\r<\/p><p>2020 \u201cThe illegal image\u201c, f\u00b3 \u2013 freiraum fuer fotografie, Berlin, DE\r<\/p><p>2019 Humanoid - Showcase Parallel Intersection Budapest\r<\/p><p>2018 Humanoid - Kunstquartier Bethanien, Berlin\r<\/p><p>2017 Beyond Control - Foto-Forum, Bolzano, Italy\r<\/p><p>2017 Beyond Control - Metamatic:taf, Athens, Greece\r<\/p><p>2017 Beyond Control - Alte Feuerwache projektraum, Berlin\r<\/p><p>2016 Unterholz\/ Underwood - Petra Rietz Salon Gallery, Berlin\r<\/p><p>2016 Unterholz\/ Underwood - Freies Museum Berlin\r<\/p><p>2015 Bygone Days - H02, Berlin\r<\/p><p>Awards & Mentions\r<\/p><p>2021 Winner, Belfast Photo Festival 2021 Open Submission - FUTURE(S);\r<\/p><p>2021 Shortlisted, Spotlight Award, Belfast Photo Festival; \r<\/p><p>2020 PARALLEL European based Platform program, \r<\/p><p>4rd cycle - Selected Artist;\r<\/p><p>2020 Shortlisted, Format21 Festival, Derby, Open Call;\r<\/p><p>2020 Shortlisted, Athens Photo Festival, Open Call;\r<\/p><p>2019 Selected, Parallel Platform, 3rd cycle\r<\/p><p>2017 Shortlisted 'Athens Photo Festival'\r<\/p><p>2015 Shortlisted 'Athens Photo Festival'\r<\/p><p>Publications\r<\/p><p>2020 PARALLEL Atlas\r<\/p><p>2020 \u201cThe future is (not) guilty\u201d, Exhibition Catalogue\r<\/p><p>2020 \u201cNotes on Space\u201d, Exhibition Catalogue\r<\/p><p>'Der Greif', Guestroom Monica Allende, October 2018 (online)\r<\/p><p>dienacht special edition, printed Magazine for Photography, Design and Subculture<\/p>","long_bio_raw":"Carola Lampe, is a Berlin-based artist working with photography, installation and performance. She graduated from Osnabr\u00fcck University with a master\u2019s in Fine Arts, has studied Dance and Choreography at Laban Centre London and Photography at Ostkreuzschule Berlin.\r\nCarola\u2019s work has been exhibited at festivals, galleries and institutions in Germany, UK, Netherlands, Sweden, Greece, Italy and Hungary. Her performances have been shown in Germany, the UK and Japan.\r\nShe has been chosen as an emerging artist for the 3rd cycle (2019-2020) and 4th cycle of PARALLEL Photo Platform programme. Carola is a winner of Belfast Photo Festival 2021 and was shortlisted for the Athens Photo Festival 2017, 2020 and Format International Photography Festival 2021. \r\nSome of her recent photography projects have been featured in Der Greif, PARALLEL Atlas and dienacht magazine.\r\nShe is currently interested in the implications of technology on the human being. By observing everyday life and by investigating boundaries of what is real and what isn\u2019t, her art shifts between documentary and fiction.\r\n\r\nExhibitions\r\n2021 Fotofestival Schiedam, Open Call Exhibition 2021, NL\r\n2021 PARALLEL Review, Fotofestiwal Lodz, PL\r\n2021 FUTURE(S); Belfast Photo Festival 2021 Open Submission exhibition, Belfast, UK\r\n2021 Der Greif Guest Room: Curated by Mirjam Kooiman, Der Greif\r\n2020 PARALLEL Intersection, Landskrona Fotofestival 2020, Landskrona, SE\r\n2020 \u201cWhat you don\u2019t know\u2026\u201d, Kunstquartier Bethanien, Berlin, DE\r\n2020 \u201cThe future is (not) guilty\u201d, at Organ Vida Festival, Zagreb, HR\r\n2020 \u201cNotes on Space\u201d, at Odesa PhotoDays Festival, Odessa, UA\r\n2020 \u201cThe illegal image\u201c, f\u00b3 \u2013 freiraum fuer fotografie, Berlin, DE\r\n2019 Humanoid - Showcase Parallel Intersection Budapest\r\n2018 Humanoid - Kunstquartier Bethanien, Berlin\r\n2017 Beyond Control - Foto-Forum, Bolzano, Italy\r\n2017 Beyond Control - Metamatic:taf, Athens, Greece\r\n2017 Beyond Control - Alte Feuerwache projektraum, Berlin\r\n2016 Unterholz\/ Underwood - Petra Rietz Salon Gallery, Berlin\r\n2016 Unterholz\/ Underwood - Freies Museum Berlin\r\n2015 Bygone Days - H02, Berlin\r\n\r\nAwards & Mentions\r\n2021 Winner, Belfast Photo Festival 2021 Open Submission - FUTURE(S);\r\n2021 Shortlisted, Spotlight Award, Belfast Photo Festival; \r\n2020 PARALLEL European based Platform program, \r\n4rd cycle - Selected Artist;\r\n2020 Shortlisted, Format21 Festival, Derby, Open Call;\r\n2020 Shortlisted, Athens Photo Festival, Open Call;\r\n2019 Selected, Parallel Platform, 3rd cycle\r\n2017 Shortlisted 'Athens Photo Festival'\r\n2015 Shortlisted 'Athens Photo Festival'\r\n\r\nPublications\r\n2020 PARALLEL Atlas\r\n2020 \u201cThe future is (not) guilty\u201d, Exhibition Catalogue\r\n2020 \u201cNotes on Space\u201d, Exhibition Catalogue\r\n\r\n'Der Greif', Guestroom Monica Allende, October 2018 (online)\r\ndienacht special edition, printed Magazine for Photography, Design and Subculture","display_name":null,"website_url":"http:\/\/carolalampe.com\/","profile_type_id":2,"show_age":0,"twitter_handle":null,"facebook_handle":"carolalampe","linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"carolalampe","vimeo_handle":null,"youtube_handle":null,"telephone":null,"company_name":null,"address_1":null,"address_2":null,"city":null,"region":null,"country":null,"postcode":null,"vat_id":null,"codice_fiscale":null,"codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2018-10-17T08:15:27.000000Z","updated_at":"2021-11-09T09:53:01.000000Z"}}}