GREEN DIAMOND | Shortlisted Project - PhMuseum 2020 Photographers Grant - PhMuseum

GREEN DIAMOND

{"id":41089,"grant_id":18,"user_id":6725,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":451431,"story_id":40367,"place_id":null,"title":"GREEN DIAMOND","excerpt":"","excerpt_raw":"","body":"<p>Green Diamond is a project conceived in Beijing between 2018 and 2020. Exhibited in China, Switzerland and Germany between 2019 and 2020, it was presented in Italy for the first time in 2021 at the Maxxi Museum and it\u2019s among the winner projects of Gibellina call for projects 2021 and Circulations 2021. It is a work that plays with the liminarity between real and fiction, historical archive and science fiction. Green Diamond was a chinese hi-tech company whose purpose was to develop special microchips, capable of eliciting sensations in the human body related to the natural world. On 1998, the company hired the acrobat Gao Yue to test the GD sensors. Gao Yue and Li Jian Ping (a sensor-cleaning worker) had a relationship, which led Li Jian Ping to collect a large number of documents about Gao Yue's daily work at the company. Through the reconstruction of Li Jian Ping's archives, made up of analog photographs, invoices, videos and paper findings, Green Diamond tells a story using the criterion of historical reconstruction. The documents proves what has been constructed to create questions, to confuse about the credibility of the tale. The exotic is used to test the remnants of a colonial culture, in which the \"far\" place, is often relegated to an area where facts to be judged happen, without caring about what is unknown. <a href=\"https:\/\/greendiamond-beijing.com\/\" target=\"_blank\">https:\/\/greendiamond-beijing.com\/<\/a>, is a sort of labyrinth in which to immerse oneself through primary and secondary sources, while paper documents and photographs are set up in the exhibition space. The documentary and historical essence of the photographic document becomes a way to conceive a credible science fiction. The documentary and historical essence of the photographic document becomes a way to conceive a credible science fiction, which looks towards the past instead of the future.<\/p>","body_raw":"Green Diamond is a project conceived in Beijing between 2018 and 2020. Exhibited in China, Switzerland and Germany between 2019 and 2020, it was presented in Italy for the first time in 2021 at the Maxxi Museum and it\u2019s among the winner projects of Gibellina call for projects 2021 and Circulations 2021. It is a work that plays with the liminarity between real and fiction, historical archive and science fiction. Green Diamond was a chinese hi-tech company whose purpose was to develop special microchips, capable of eliciting sensations in the human body related to the natural world. On 1998, the company hired the acrobat Gao Yue to test the GD sensors. Gao Yue and Li Jian Ping (a sensor-cleaning worker) had a relationship, which led Li Jian Ping to collect a large number of documents about Gao Yue's daily work at the company. Through the reconstruction of Li Jian Ping's archives, made up of analog photographs, invoices, videos and paper findings, Green Diamond tells a story using the criterion of historical reconstruction. The documents proves what has been constructed to create questions, to confuse about the credibility of the tale. The exotic is used to test the remnants of a colonial culture, in which the \"far\" place, is often relegated to an area where facts to be judged happen, without caring about what is unknown. https:\/\/greendiamond-beijing.com\/, is a sort of labyrinth in which to immerse oneself through primary and secondary sources, while paper documents and photographs are set up in the exhibition space. The documentary and historical essence of the photographic document becomes a way to conceive a credible science fiction. The documentary and historical essence of the photographic document becomes a way to conceive a credible science fiction, which looks towards the past instead of the future.","social_approval":1,"is_shortlisted":1,"is_other":0,"is_good":0,"is_strong":0,"is_ongoing":0,"is_unpublished":0,"sent_first_email_reminder":0,"awaiting_payment":1,"has_started_payment":1,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":1,"amount_paid":28,"original_price":28,"external_id":"cs_live_a1jabu6yzNMW9G66J1hbq06jYZ26anXEIonXlqffqG3N56eRNek3ieedq8","payment_id":"pi_3KHWu5D9Te8dh8Es15Epm5Mv","session_id":null,"token":"eKALQcleGaMgv1aVrYTw8LFZ9w777SdV","grant_order_id":17250,"submitted_at":"2022-01-13T17:28:19.000000Z","affiliate_id":null,"is_forced_public":1,"address_1":"Via Gaudenzi 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Maistrello trained at the IUAV in Venice, the E\u0301cole Nationale Supe\u0301rieure des Beaux-Arts in Paris and the Zu\u0308rcher Hochschule der Ku\u0308nste in Zurich. In her research, the contradiction of the tautological and the iconology of the peripheral are the upshot of an ongoing attempt to come closer to people and their own private heroism. Over the years she has exhibited in group and solo shows both in Italy and abroad, including MAXXI Museum, Rome (2021); Hamlet, Zu\u0308rich (2020); Kunstverein Bielefeld, Germany (2020); Inside Out Museum, Beijing (2019), La Triennale, Milan (2018), Photo Espan\u0303a, Madrid (2018), Fotomuseum Winterthur (2018), Manifesta 12, Palermo (2018), Unseen Fair, Amsterdam (2017); Museo Pecci, Prato (2017); Museo di Fotografia di Cinisello Balsamo (2012); MSUM Museum, Ljubljana (2013), Ca\u2019 Rezzonico Museum, Venice (2013); BYOB, 54. Venice Biennale, Italy (2011).\r<\/p><p>Her works are to be found in European private collections as well as international museums collections, such as: MAXXI Museum (Rome), Galleria Civica di Modena, Museo di Fotografia (Cinisello Balsamo). Her works have been published in numerous books and magazines, including: Flash Art Italia, Vogue Italia, Wallpaper Magazine, De:Formal, Unseen Magazine, Self Publish Be Happy, Vice international and OFLuxo.<\/p>","long_bio_raw":"Rachele Maistrello trained at the IUAV in Venice, the E\u0301cole Nationale Supe\u0301rieure des Beaux-Arts in Paris and the Zu\u0308rcher Hochschule der Ku\u0308nste in Zurich. In her research, the contradiction of the tautological and the iconology of the peripheral are the upshot of an ongoing attempt to come closer to people and their own private heroism. Over the years she has exhibited in group and solo shows both in Italy and abroad, including MAXXI Museum, Rome (2021); Hamlet, Zu\u0308rich (2020); Kunstverein Bielefeld, Germany (2020); Inside Out Museum, Beijing (2019), La Triennale, Milan (2018), Photo Espan\u0303a, Madrid (2018), Fotomuseum Winterthur (2018), Manifesta 12, Palermo (2018), Unseen Fair, Amsterdam (2017); Museo Pecci, Prato (2017); Museo di Fotografia di Cinisello Balsamo (2012); MSUM Museum, Ljubljana (2013), Ca\u2019 Rezzonico Museum, Venice (2013); BYOB, 54. Venice Biennale, Italy (2011).\r\nHer works are to be found in European private collections as well as international museums collections, such as: MAXXI Museum (Rome), Galleria Civica di Modena, Museo di Fotografia (Cinisello Balsamo). Her works have been published in numerous books and magazines, including: Flash Art Italia, Vogue Italia, Wallpaper Magazine, De:Formal, Unseen Magazine, Self Publish Be Happy, Vice international and OFLuxo.","display_name":null,"website_url":"https:\/\/rachelestudio.com\/","profile_type_id":2,"show_age":0,"twitter_handle":null,"facebook_handle":null,"linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":null,"vimeo_handle":null,"youtube_handle":null,"telephone":null,"company_name":null,"address_1":"Via Gaudenzi 6","address_2":null,"city":"Bologna","region":"BO","country":"IT","postcode":"40137","vat_id":null,"codice_fiscale":"MSTRHL86M65M089R","codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2015-12-01T11:13:44.000000Z","updated_at":"2022-01-13T17:26:06.000000Z"}}}